
When your kids make a billion dollars like Taylor Swift we will listen . Until then....nope |
Defending her is different than " not handling criticism" i mean you are here defending your views why can't we? We could say you are in a cult of haters |
I don’t care what the topic is, it could be anything, that poster is an a$$hole. They’re the kind of person who would roast you to your face then say “I’m just joking.” |
I like the Taylor Swiff lyrics in these songs:
- Blank Space - Look what you made me do - Ready for it - Lover - The Man - Bejeweled The others are mostly crap, lyrics-wise. There might be a few golden spots. But they are mostly famous because of the production (catchy hook etc.) and Easter eggs. |
What do this poster’s kids’ potential future incomes have to do with her critique of Taylor’s lyrics? Instead of using a straw man argument which has nothing to do with the debate, why not respond to what you see in these lyrics, while taking into account the poster’s criticism, and proving it wrong? You can’t. Because she’s spot on. So, instead, you change the topic and talk about the jillions her kids have to make in order for her to critique Taylor. What a joke! |
You are hilariously invested. It’s so funny watching this thread. |
I see good lyrics. No need for either of us to prove anything. It’s an opinion. |
Could you verbalize what about them is good? I mean beyond the generic, “I relate to them,” or “they speak to me.” Why? What about “Cause I remember it all, all, all too well,” makes it a good lyric? |
Hilariously invested? It takes one second to write a comment on here. This isn’t dissertation quality work. But I do agree that it’s funny, watching all the Swifties being completely incapable of coming up with one good, artistic lyric while simultaneously claiming she’s an amazing lyricist. You can adore her, fine. People like cotton candy and Twinkie’s, too. But don’t pretend she writes good lyrics and act like she’s crime brûlée. |
I don’t know her lyrics all that well, haven’t quoted any, but no one owes you any explanation. As you said, it’s about taste. Music is feeling. Just like you hate her, others like her. You can’t seriously argue that people can experience lyrics, poetry, novels differently. Why is this a difficult concept for you? You want to argue it like some math equation or something. That’s just seriously strange when talking about music in any regard. |
What a confusing argument. All artists have filler. Who are you holding up as an exemplar lyricist? |
I relate to them or they speak to me are perfectly fine reasons when it comes to any art. That’s the entire point. PP is cookoo. And full of herself. |
Someone up thread referred to Tori Amos. I present to you her opening lyrics from arguably her biggest song:
Never was a cornflake girl Thought it was a good solution Hanging with the raisin girls She's gone to the other side Giving us the yo heave ho Things are getting kind of gross And I go at sleepy time I mean, come on. Her vocalization and the music make that song a classic. |
Where do I start? Let’s compare the first verse of Paul Simon’s “America,” to the first line of “Blank Space.” I’m using Blank Space because PP lauded it and both are about heading out on an a romantic adventure. From America: “Let us be lovers, we’ll marry our fortunes together, I’ve got some real estate here in my bag, So we bought a pack of cigarettes and Mrs. Wagner pies, And walked off to look for America.” And now from Blank Space: “Nice to meet you, where have you been, I could show you incredible things, Magic, madness, heaven, sin, Saw you there and I thought, ‘Oh my God, look at that face, You look like my next mistake, Love’s a game, wanna play,’ Ay.” In “America,” we have immediate, powerful imagery. We know parties are poor, we know they’re eating crappy junk food and heading off to start new lives somewhere. So much is said, in so few words, 36 total. With “Blank Space,” we learn nothing of the parties, except that they just met and that the protagonist, thinks the other person is good looking and that she wants to have a romance. She uses 43 words to say little more than two people met and one of them thinks it’ll be a mistake, but she’s going to for it anyway. I don’t know where they are. I don’t know what they’re doing. I don’t see anything really. “Walked off to look for America,” conveys so much more than “I could show you incredible things, Magic, madness, heaven, sin.” Taylor is like a Mrs. Wagner pie. It’s fine if you want to eat that. Go for it. But don’t call her a talented lyricist. It’s insulting. |
And you can’t seriously argue that some lyrics, poetry and novels aren’t more complex and artistic than others regardless of people’s experiences or “feelings” about them. I love Harry Potter, but it’s not James Joyce. |