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On no. Didn’t look that painting up. Greg or the gays or their real estate are not the thing to kill yourself over but shall see! |
| Greg is the wildcard here...where is he and when/how does he re-enter the scene? Maybe the party is a setup for greg to have returned and "valiantly" save her, thereby making Tanya trust him? But she's seen the photo and it "clicked," so either Tanya dies, or Tanya is triumphant (sees through the scheme, ditches Greg, becomes self-actualized). So much of Tanya's trajectory seems wrapped up with never having a sense of herself, and maybe she'll come to find it |
I’m a NP here. Not sure why you are attacking this PP. Their summary describes what the other PP had asked about - what Jack said and Portia’s reaction together with some context. Not extreme or tedious at all. |
You do know that Mike White modeled Olivia’s and Paula’s characters after Dasha and Anna from Red Scare right, because he’s a fan of the pod? Have you ever listened to Red Scare? Listen to an episode and then get back to the thread and post about how I’m inferring a political point that he was making from nothing. https://www.nytimes.com/2021/08/18/style/white-lotus-sydney-sweeney-brittany-ogrady-interview.html |
Tanya’s come too far (two Seasons) to be offed so easily. I agree with PP that it’s more likely the women come out on top, given all the disembodied male head imagery. |
Believing that certain qualities about a person mean that nothing they say has value or insight is an affliction common in our time and an affliction of great hubris. |
Frequently it doesn't matter if something happened but whether or not the characters believe it happened. It's a tale as old as Romeo and Juliet. Another tragedy in Italy. |
I think the point of Jack’s soliloquy is that it was a surprise to see deep thoughts coming from a guy who otherwise has been coming across shallow. On the one hand you can see it grab Portia’s attention and she perks up. But on the other hand it forshadows that he is not what he seems. |
It foreshadows that he knows what it means to truly suffer. And it gets to the heart of why Portia is so insufferable - that she is constantly bemoaning her life and the world despite living a life of great opulence and privilege (and yes its not all hers but she's being put up in this hotel in her own room so she clearly gets a lot of perks). I think a central theme of the show, both seasons, is clearly that great opulence creates blindness to true human suffering and even rich people who 'care' can quickly turn their back on someone struggling if it make them uncomfortable. And the flip side is they are frequently isolated in their own suffering when it does occur, with no one else wanting to interrupt the fantasy to help them. |
It's so infuriating that Ethan denies Harper physical affection of any kind yet gets insanely jealous of a hint of Cameron flirting. Harper is the pawn and it's about time she made a move. |
Their relationship is dead, do not resuscitate. In the end, the contrast with Daphne and Cameron's highly problematic but also affectionate and loving relationship is instructive and will help her make the necessary break. If he doesn't end up dead first. |
Yes, the old "things were worse in the past, so therefore you can't complain about or try to change anything about the present!" A close cousin of "you think there's sexism in the West? Why don't you go live in Saudi Arabia then! Women have it great!" |
But Greg must be in on it, right? Has anyone looked back at EP. 1 to see why they decided to go to Sicily in the first place? Quentin knows Greg was at White Lotus, so it seems likely that they were planning something together. |
Quibble: Portia is very much not a millennial. Millennials are like 40 now (see the Ethan/Harper/Cam/Daphne group). Portia and Albie are very much Gen Z. |
| Anyone else catch Portia wearing the godfather t shirt? |