Anonymous wrote:
Anonymous wrote:The reviews are quite good, maybe it gets better?
Probably the reviewers are more interested in pretty costumes than watching a proper historical show.
We've lost the ability to capture the past mores and metaphysical relationships with their cultures and societies and that's why today's historical productions are so lacking. All you have to do is to watch the great BBC productions from the 1970s and 1980s into the 1990s to see how bad today's productions are. A big part of it really has to do with that today's directors are afraid to show the past as it was, including the pervasive social and racial discriminations that people took for granted as part of ordinary everyday lives and actions and thoughts and conversations. They'd rather invent an alternative history like Bridgerton. But even in Bridgerton they fail because such a society could only exist with stringent social and class divides that people wore as a second skin.
We can compare Downton Abbey to Upstairs Downstairs of the 1970s to see the difference. It's not a question of whether Downton is too nice and there is a risk, as some directors make, in treating the past as some sort of monster suffering and oppression porn and wanting to get their revenge by tossing in feisty feminists to teach people a lesson or two, but people genuinely did think differently and it affected how they related to just about everything. An excellent example would be Jeremy Brett's Sherlock series, made in the 1980s by BBC. They are not high budget productions like the recent movies, but capture the zeitgeist of the 19th century about as well as it's ever been done because it so accurately portrays the interplay among the classes and genders of British society in a way that is so natural and believable because it is done without exaggeration or attempts at moralizing or imposing a modern sensibility of right and wrong. When Brett's Holmes interviews a lowly maid, his mannerism and language are respectful enough, but it is still different than interviewing a grand titled lady. He is not servile to the latter, but he intuitively understands the expectations required of him by the context he lives in and it is reflected in the mannerism. Brett, and his fellow actors, understood the need to get into the 19th century skin without passing judgment. Today's actors can't - or aren't allowed to.