Wow! I kind of thought the ravanels had lots of terrible MMC (like didn’t one of them kidnap somebody and then in a later book the victim was just supposed tj make nice?), but this sounds so bad. I’m going to drag away from the books, thank you. |
I’d like to put in a good word for Tessa Dare’s male leads too. |
The Ravenels definitely have some jerk alphas but I wonder if you are thinking here of the Wallflower series, where Sebastian kidnaps and almost rapes Lillian and then later marries her friend and everyone makes totally nice. I am an Xer and grew up with rapey romance novels from the 80s and that still turned my stomach, so so gross. That character was irredeemable and I don't know what the author was thinking. |
chill.. it's fantasy. I'm also a gen-xer. I love K.J. Jackson's series. I think those books would make for better tv. It's fast paced and gritty. No fluff. I also love Sarah Maclean's books. I guess I prefer a bit grittier books. I find Tessa Dare's books too fluffy. I know.. to each her own. |
Okay yes thank you! I don't know how we're expected as readers who have grown to love and care for the victim to just kind of push that out of our heads in the next book and get all giddy for the guy. And her (I forget the victim's name, sorry) tolerance for the situation was some kind of sign of maturity, ugh. But do you remember the book with his son? I really liked that one and I'd kind of like to re-read it. But back to Bridgerton: one nice thing about books getting adapted is that lots of things fly in writing that don't on screen. Sometimes I'm totally fine with problematic things, but, like, with Outlander, I sure didn't mind the way they toned up the consent. I understand they did something similar in Bridgerton season 1? I'm happy they made the men better in the screen adaptation and I'm just going to enjoy the show as fun entertainment that I don't have to think too hard about.
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I'm a millennial. I think that romance novels have in a great direction, well away from the rapey stuff in times of yore. It's like consent, protection, and kindness are sexy these days! |
The authors mentioned above don't right rapey-novels. I read Shirley Busbee novels waaay back, and those are rapey. Again, to each her own, but I don't find wimpy men in my romance novels exciting. I read those novels for an escape, as fantasy. Some of the men in those books would be awful partners IRL, though. |
| How come Benedict completely ignored Madam Delacroix this season? Last season he was developing a friendship with her, hooking up with her and having threesomes at a party with her. What happened to that storyline? Why does she have a phony French accent? |
| My apologies if this was already discussed but how did they explain Simon (the Duke, Daphne's husband from season 1) to be absent from his good friends wedding? Genuinely curious if I missed it. |
He tries in the first (second?) episode and she dismisses him. She’s still using her fake accent except around Penelope it seems. |
They really didn’t. |
I thought we’d get more of Madame Delacroix. Disappointed. The Sharma sisters were a snooze fest for me. The only thing keeping me going this season were Eloise and Penelope and Eloise and Theo. And Portia Featherington. And Benedict. |
True, and I think it’s for the best. Any time an actor leaves between seasons and the story over-explains the absence it’s just distracting and draws more attention to the absence. |
He wasn’t missed by me. The Duke may be physically more attractive than Anthony, but Jonathan Bailey’s acting is superior. He gave more than this role required and sold his character’s yearning for Kate. |
I totally agree! I was impressed with how much he put into the role. The Duke was completely unconvincing -zero chemistry. |