It looks like a pretty private event, with only close family and friends. I'm sure they made excuses to the ton or had the wedding outside of the city to be able to invite only true friends. She doesn't want her stepmother there, surely. |
Having seen portraits of Charlotte and her parents, what you're typing is wokery gibberish. Ok there may be a Moor (which isn't the black as we see it these days, sub saharan African) but North African, who may have been Charlotte's ancestor 500 years earlier (500!), maybe, somehow now she is mixed race? What? Who came up with this crap? What I find ignorant is how Bridgeton creates a wildly unhistorical narrative because of how deeply racist people were at that time period. The Earls of Mansfield had a black ward who they treated as a family member as she was mixed race offspring of a relative, but when company came, she had to dine alone. And she never mixed in polite society. That's the reality. No amount of Bridgerton revisionism pandering to the silly sensibilities of modern woke people desperate to change the past can ever change the historical truth. Be honest, don't make up stuff because you have a chip on your shoulders. Funny no one is going around claiming some African chieftain was really white because of a slave from Europe sold by Arab traders to his ancestors 500 years ago. Because it doesn't fit the narrative (and there were European slaves captured by the Barbary pirates sent to North Africa). Make a show about that. |
Dp. Alternative histories are fine. Nothing wrong with imagining a world without racism or the slave trade. |
Bridgerton is not a documentary nor does anyone watching it think it's an accurate historical representation of the time period it portrays. They dance to modern pop songs at balls, the clothes and decor often incorporate modern anachronisms, and yes they play fast and loose with both racial and gender norms of the time. YOU are more than welcome to make a show about how regency London actually handled race. I would watch it! But everyone understands Bridgerton is intentionally ahistorical. It's not meant to be taken seriously. |
| It's fun fiction folks, not a regency historical documentary. |
But…but…but…Pamela! Napoleon! |
Not being able to dance is part of the identity she was trying to hide at the ball. At The cottage she didn't try to hide that she was educated and could speak French. So I think she really could not dance but somehow learned, probably from accompanying Hyacinth. |
The cynical in me can see Bridgerton revisionism is really a chip on the shoulder revisonism because there is no comparable black history or culture. That's why it's not revising Asian or South Asians into British cultural history because they already have their long and established cultural histories. Anyhow, I do fully expect future generations of blacks to fully believe Queen Charlotte was black just as some insist Cleopatra was really black. |
You are wrong. Throughout the Africa continent there are rich cultural histories. Just because you are unaware of the existence does not make it so. Like Black people have been incorporated into the Bridgerton saga, so has the East and South East Asian people. Or in your mind, you really think that Kate and Sophie would have been accepted as in Charles III court, or British society period. LOL |
You are overthinking all of this. Bridgerton is based on a romance novel. Romance novels are not meant to be historically accurate, and neither is the Bridgerton onscreen adaptation. Romance novels are very white. Maybe you can argue that the screen adaptation is trying to present a revisionist portrayal of race in the romance genre. |
The interesting thing is that all that was created specifically for the show, as was Charlotte and much of the non couple narratives. I don't think the show would exist at all without this change, the books themselves are somewhat repetitive and don't really have the wit of the show. There's some question about their handling of the racial issues, but it's at least trying to portray a positive spin on things when fleshing this out. It js pretty clearly a fantasy, though fantastical elements from fiction work there way into popular history and becomes someone's default (Amadeus's portrayal of Salieri, Robin Hood's popular conception of Richard the Lionheart). My favorite example of this is the wildly varied popular narratives on Richard III, where you either have Shakespeare's over the top villian or Philippa Gregory type "totally innocent" guy and there's sort of nothing in between. |
What's up with Salieri? |
He and Mozart had a very normal professional rivalry but absolutely nothing like in Amadeus. Salieri taught Mozart's son and promoted some of Mozart's work. Amadeus also shows Salieri as this kind of solitary sexless monk, in real life he was married and had eight children. |
Mind blown! Thank you. Please keep the classical music gossip coming! |
Yes, very private -- it's at the county house that Benedict and Sophie will live at while they hope the ton quiets down over the rumor (that they are trying to counteract) that Sophie is a maid with no noble blood. It's entirely family and close friends. Note that in other seasons, the weddings always happen in London. And that in seasons 1 and 3, we see big receptions after with the whole ton. Not the case here. |