The federal retaliation claim was dismissed. Apparently California law is not identical and I don't profess to be an expert in it. You, however, specifically quoted language where the Court said it was for the jury to decide whether Lively's actions were motivated by a belief that sexual harassment had occurred. I'm not commenting more without reading the entire opinion as I think it highly likely I will find abundant language favorable to the WF defendants given you only cite four random half sentences. |
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Other interesting nuggets based on prior discussion here.
The Court extensively quotes Blake's letter seeking producer credit in finding she was an independent contractor. Many of us predicted this letter would really harm her case. The defamation claims against Freedman were dismissed. All the individual defendants are now out of the case and face no personal financial responsibility for the remaining claims. |
Wayfarer bringing in a competent attorney like Alexandra Shapiro made the difference. |
That doesn’t change the fact the her lawyers made some poor choices when they drafted the pleadings. |
I questioned the wisdom of them challenging the merits of the sexual harassment claims on summary judgment, generally that's a sure loser because whether the acts reasonably constitute sexual harassment is a question of fact for the jury. But they weren't trying to win on that basis, they were exposing the weakness of the sexual harassment claims so the judge would be comfortable dismissing them on questions of law. And it worked as the judge made pretty clear at the hearing that he viewed the allegations generally as disputes about how to handle filming of intimate scenes better addressed through contract law than actual sexual harassment. So yes, if she came up with that strategy, job very well done. |
| Wasn't it dismissed because she was determined to be an independent contractor and not an employee? |
Partially but he had facts that would have let him write a legally defensible argument either way on the issue of whether she was an independent contracto. I don’t think he would have gotten rid of all her sexual harassment allegations if he felt they were strong and deserving of a remedy, and his statements at the hearing made clear he didn’t think her harassment claims were strong. |
| Multiple examples of the judge addressing the merit of Lively’s sexual harassment claims in the opinion and finding them to have fallen short. https://x.com/arias1867995424/status/2039846182705406451?s=61 |
The Blake stans are making it sound like it's all because she's an independent contractor. |
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Comment from Lipstick Alley that made me lol: This whole case was literally Blake Lively fantasizing about this man harassing her.
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| I am sure it will be a relief for Blake to get back to her next tour de force role. Lilly Flower Bloom was just the beginning. |
Look at the post above, he directly addressed the merits of her sexual harassment claims. |
I know, I'm pointing out that the Blake stans are delusional. |
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As far as SH, Liman did not credit the circumcision comment, the drafting of sex scenes, the inquiry about her weight, and the dance scene as amounting to SH.
He did leave open the possibility that the "sexy" comments, looking at her while undressed, the birth scene, and announcing Lively had never seen pornography could form a reasonable basis for SH. He sidestepped the Heath birth video and didn't mention the conversation where Baldoni said he didn't always ask for consent. That's pretty fair and along the lines of stuff I've argued in this thread as a neutral/accused of being Blake bot. |
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For those of you without twitter, here's the excerpts from the opinion:
When Lively first met with Baldoni in December 2022 to discuss possibly participating in the Film, R.56.1 11 74, 436, Baldoni told Lively—who was pregnant with her first boy at the time— that he was circumcised, Shapiro Decl., Ex. 24 at 51:21-52:05; R.56.1 9 75. Lively found the disclosure uncomfortable and unnecessary, but it occurred in the context of a discussion about the "different medical decisions people make these days, including circumcision for male babies," a topic that Lively herself may have introduced. Shapiro Decl., Ex. 24 at 51:21-52:05; R.56.1 9 75. More importantly, it occurred before she began working on the Film. It therefore could not have created a hostile work environment. See Velez v. N.Y.C. Police Pension Fund Article II, 2019 WL 1382884, at *9 (S.D.N.Y. Mar. 27, 2019) ("[A]ny incidents giving rise to the hostile work environment claim must have occurred during the plaintiff's employment."). at certain roles as athletic events. And this is one of them.... And that's great," R.56.1 9 37; Shapiro Decl., Ex. 44. Given these statements, Baldoni's actions even if they could be viewed as gently pushing Lively to lose weight, which is not necessarily supported by the evidence- could not fairly be described as discrimination "because of" Lively's gender. Under this framing, it would be difficult to view Baldoni's conduct as reflecting hostility or bias based on gender. He was acting in the scene. Assuming he was improvising, the conduct was not so far beyond what might reasonably be expected to take place between two characters during a slow dancing scene such that an inference of hostile treatment on the basis of sex would arise. At least in isolation, the conduct was directed to Lively's character rather than to Lively herself. Creative artists, no less than comedy room writers, must have some amount of space to experiment within the bounds of an agreed script without fear of being held liable for sexual harassment. See Lyle, 132 P.3d at 225. Other conduct, particularly viewed in isolation, also would not give rise to a claim for hostile work environment. Prior to principal filming, Baldoni proposed certain edits to the screenplay, including ones related to sex, that Lively believed were "gratuitous." R.56.1 9 92. That Baldoni suggested scenes involving sexual acts in the context of developing a motion picture involving such adult themes did not create a "sexually objectionable environment" or an environment hostile to women (or to men) because of sex. It would be "neither surprising nor unreasonable from a creative standpoint" for both Baldoni and Lively to have drafted sexually explicit material, even if some of it was not to the taste of the other. See Lyle, 132 P.3d at 225 (Cal. 2006). Indeed, Giannetti had written to Baldoni that Sony was "going to try and get as much tasteful hot sex as you can." Shapiro Decl., Ex. 84.26 |