+1 Was it a pinecone that fell on her? I couldn't understand how a pinecone would have hurt her so much, especially through her shirt. Maybe it was one of those spikey conkers? It just seemed like such a small thing that caused such a bad injury. |
That was weird. I came to the conclusion that the pinecone, and maybe something else, were thrown at her by one of the guys. |
Leda was a straight up mental case sleeping with the doll for days, ignoring her daughters just wanting a kiss on the injured finger, never saying bye when she’d fly off for academic krap. This was a movie about generational mental disorders. Leads parents, her, and now her self absorbed adult daughters who don’t let her even talk. Take take take. The Greek American queens or Bronx family looked functional compared to her. |
The missing beach girl day? I kept waiting for the Lost Daughter thing to rear its head via death or estrangement but that never really happened. Only the doll got lost and the 5 yo in a hat. |
Yeah, she bled out or something, then dreamed up an orange to peel. |
I assumed for 80% of the movie when she initially said she teaches at or works in Cambridge she meant England. Only the last five minutes does she say Cambridge by Boston. I also did not know if this was a beach in Maine or Italy or Greece or what. Once I saw a mini palm tree I ruled out Maine.. |
Ehhh, short and repeated a lot. |
I thought it was brave —or dumb and naive — of Leda to return the doll then. Like autism bad social cues and timing. It would have taken a saint to not instantly say WTF and notice how unhealthy Leda was and show compassion. The poor child wasn’t sleeping and upset. |
No empathy, chronic self centeredness, and lack of maternal instincts/caring. |
I've seen a large pine cone leave a dent in the roof of a car - it was a big one |
and both Leda and Nina in their own ways, were "lost" |
I actually felt that was a more plot driven choice than a character choice. For the sake of a dramatic ending. |
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I've thought about this more an it was certainly a very nuanced film.
I definitely felt a lot of sympathy for Coleman's character early on because she was trapped as a mother and couldn't fulfil the professional and really needed to be more than that. So I sympathize with her needing more but her almost total inability to care about anyone but herself was ... shocking? The fact that she took the doll ... exclusively for herself, not caring that the child cried about it for days, even though she seemed to sympathize with the young mother ... that's so unfeeling. Sort of fitting in with how she got back in touch with her own children -- she missed THEM, not her worrying over whether they missed her. It's almost at a level of mental illness, her focus on herself. Which is too bad, because you can certainly be a regretful mom WITHOUT a mental illness and explore the feelings that are wrapped into that. |
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What an utter waste of time that movie was. I kept waiting for something to happen, ANYTHING!
From the odd caretaker, to the aggressive family on the beach, to the pinecone that "fell on her", to that doll that just kept on appearing and disappearing. Just a weird odd movie. |
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Watched it last night. In addition to all the weirdness already discussed, what in the world was that bizarre interaction with Lyle in the bar? Whispering something in Italian and scampering off? So, so strange.
I think she stole the doll because she still resented her own children for breaking hers (which she actually did to herself by throwing it out the window). She wanted to restore it, as a way to restore her own brokenness. |