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But why is it bananas? Serious question. She is trying to paint a picture that she felt like she was in a hostile work environment, being sexually harassed. She was not going to return the set because she felt uncomfortable and yet, in the mix of all this is happening, we have her inviting him to private spaces. Her trailer, her private jet with her CHILDREN, and her apartment with Taylor Swift, a victim of sexual harassment. They call him a predator, yet he said there are multiple pictures of him, holding her children, which he didn’t include in his website out of respect for her privacy. It just does not make sense and it’s not bananas to bring it up. |
Save your breath. Blake’s supporters believe in rules for thee not rules for me, just like BL and RR. |
I noticed that too. He frequently waited to respond to her. Likely because he was uncomfortable and trying to think of what to say. There are several exchanges where he’s like sorry I was doing this or that. |
I don’t believe there are any organic Blake and Ryan supporters. Just paid shills and bots. |
1. I clearly explained how it’s bananas to say you can’t invite someone into YOUR private jet filled with your staff if you need to work with them but want to have your people surrounding you if you are concerned about his behavior. You can control it. It’s your 10 people vs just him. To me, that sounds like a great solution. Someone else explained very patiently about 10 pages ago how just because you invite someone to your trailer one time under certain circumstances doesn’t mean that you are inviting them to your trailer in perpetuity under different circumstances, or even the same circumstances! But if you need to get work done with someone who is making you uncomfortable, being on your own turf for that work makes sense to me. (You seem to be assuming she didn’t have her own staff in her trailer, which is not at all clear to me.) 2. Life is not a perfectly rational straight line, and also people eff up. Victims aren’t perfect and we shouldn’t require them to be. The people we work with may at times be challenging monsters, but we still have to work with them, or quit our jobs. There is a period before you come to grips with reality when you are realizing, oh, hey, maybe this guy is really off, and your outward actions don’t match up with your inward turmoil. Frankly, your outward actions may never totally match up. When the IT dude showed me porn in his office in the 1990s, in front of my boss, I continued to work with that IT guy for several years. I didn’t report him. I saw him and smiled at the summer picnic. I did not rock the boat because I had made a decision to just keep going. That doesn’t mean it was a-okay for him to whip out his porn. Lively did better than me and made her 17 point list setting out what behavior wasn’t acceptable for her and others — I applaud her for that honestly. And it worked and helped them finish the movie. A++. |
From Baldoni's timeline, which I am looking at right now (typing out the texts since I can't paste the picture of them here): April 5, 2023: Baldoni hires an intimacy coordinator and texts Lively to coordinate a time for them to meet. Lively declines to meet with the intimacy coordinator ahead of filming. Baldoni text to Blake on 4/5/23: Just hired intimacy coordinator who I LOVE. Will set you up to meet/FT with her next week for intro. Blake "likes" Baldoni message Blake response to Baldoni 4/5/23: I feel good. I can meet her when we start. Thanks though! So yes, Blake said she'd meet the IC when they "start" meaning when they start filming. And Baldoni does not indicate he wants Blake to do anything more than say hello and put a name with a face -- no mention of reviewing scenes or doing choreography. She turned down a brief FaceTime introduction and clearly states she will meet the IC on set. Blake did not "imply" in her 17-point l list that there was no coordinator. She was complaining that there had been unscripted intimacy and nudity and felt that an IC would prevent that from happening moving forward. So while there had not been an IC on set to that point, because they had not yet filmed their sex scenes, Lively asked to have an IC on set for all of her scenes/interactions with Baldoni moving forward, as a protection against him imposing unscripted kissing, intimacy, and nudity on her. Lively wanted an advocate on set who could ensure consent was followed. There is nothing wrong with this and it was actually a good, mutually-beneficial solution to the problem of Baldoni and Blake clearly not seeing eye-to-eye on consent and intimacy on set. She's not implying anything -- she's describing the set conditions to that point, describing a problem she has with them, and suggesting a solution for that problem. It's pragmatic. |
I am having real trouble believing that 3 people on Team Baldoni made it through law school tbh. You are falling for all of Freedman’s lies and dodges, hook line and sinker. |
I should also note that this was not Lively's first film with sex and nudity -- she's done both before, so it makes sense that she would not need a lot of handholding with the IC and would feel confident that these issues could be worked out on set. Justin had never directed a film with nudity or sex scenes before. He seems clearly confused about how it works. After the above exchange with Lively, he screenshots and sends it to a producer and says: Justin to Producer: Just wanted to tell you about this - seems she doesn't want to meet intimacy coordinator until we start which may mess up workflow, but I can still meet with her of course. Producer response to Justin: That's fine if she doesn't want to meet her now. You'll just have to walk her through what you and [IC] are thinking. So first -- Justin clearly understand Blake intends to meet and work with the IC on set. No confusion there. But he seems flummoxed by Blake not meeting with the IC beforehand even though all he suggested they do is an introduction. This is an example of Justin's absolutely pisspoor communication and management skills which are on display throughout his timeline and complaint. But also, notice how both Blake and the producer (likely both veterans of this kind of film) are both fine with this situation, and only Baldoni is flipping out. It's because he doesn't know how to do it. Which is why it's then unsurprising later that he will start doing stupid things like trying to suggest nudity at the last second with no advance warning and no IC, or push kissing on Blake in a scene where it's not scripted and she's clearly saying "I don't think our characters would be kissing here." These are obvious boundary violations that are inappropriate, where he used his position as director to push Blake to do things she was not comfortable with and stated clearly she wasn't comfortable with, but it's like he's unaware of the dynamic because he's overwhelmed and basically has no idea how to make a movie like this. No wonder Blake then insisted on having an experienced producer from Sony on set for the second half of filming, just to have someone present who knew what they were doing. |
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No wonder Blake then insisted on having an experienced producer from Sony on set for the second half of filming, just to have someone present who knew what they were doing.
This is what irks me, right here. Again, she is not the Director of the film. She is just a paid actor. But she insists on taking control of what she asserts is a poorly managed movie. So what if it is? Then remove your ass from the movie and have Baldoni hire someone else for the role. That’s how it works everywhere else. But this is the point exactly. She was not going to quit. She just wanted things to go her way. As I e shared before, she wanted to control the vision and execution of the film, as she said was her goal on most film sets. You do not get to tell your management team “no, I don’t like it that way. I see another vision for the project. Yours sucks.” She wanted control. She went in wanting it, forced Baldoni to cave to it, and got her Khalessis, etc to back her efforts to control this film. His name was on the line, not hers. Yet, she just couldn’t help herself, even though his vision won over audiences more. |
I guess we will just agree to disagree. I still don’t see how inviting someone into private spaces with your children and best friend, who again has been a victim, when they make you feel uncomfortable makes sense, especially when you’re going to be breast-feeding and undressing. It just feels really strange to me. I understand the Blake is not a perfect victim, but some of her actions just run completely counter and makes it seem like she put this list together to serve other purposes. |
At the point she issued the 17 point list, no, she could not just quit and walk away. She'd already filmed a bunch of scenes, they'd cast the young version of her character based on looking like Blake and THAT actor had filmed scenes. Plus they were coming out of two major strikes that had put everyone involved in the movie out of work for months. Had she walked away at that point, very likely Wayfarer sues her for losses related to having to recast and shoot, plus it means firing Isabel Ferrer, plus would have only further delayed the film, maybe killed it, putting all those grips and assistants and craft services people who'd been out of work during the strike completely out of a job. Also, she was not "just" an actor on the film. She is much more important to the movie than that. This has been discussed on the thread before but not for a while, so I'll repeat it: this movie likely doesn't get Sony signed on to distribute and market without a name as big as Blake's, and there's zero evidence that they had other actresses waiting in the wings to take the role. Blake's partnership with Ryan Reynolds is valuable to Sony, but it's also valuable to Wayfarer on this film. Lively's fashion and industry connections are valuable. Taylor is valuable. Ryan's marketing company is valuable. Her ability to get people like Hugh Jackman to pop up at their premiere is valuable. And this was true from the day they asked Lively to do the movie. She always had that leverage, which means she always had some measure of control over the movie, just as any actor with a big, recognizable name and lots of industry support, agreeing to take the lead role in a movie produced by a small studio, would have that leverage. This was not something she manufactured later to "take control." Lively always had this leverage. She just didn't use it early in the movie. But when she saw what a bad job Baldoni was doing, when she became aware of his behavior on set and the problems it caused her and others, she decided to flex that muscle. And what is the first thing she does? She uses it to ask for a safer set. To request things like an experienced producer, and IC to make sure consent is followed, and commitments from Wayfarer about how they will portray Blake and Isabella's bodies and the sex scenes. Not a bigger trailer, a cut of the film proceeds, to replace Justin as director, etc. A safe set. Sure, later she also uses that muscle to get a p.g.a. credit, editing control, put Taylor's song on the movie and replace the composer, etc. But she always had the power to do those things. They knew what they were doing when they hired Blake, they hired her specifically because of her name, face, and industry connections, and then they acted shocked and offended when she used those assets to get what she wanted. They could have hired someone else. They didn't want to. |
Well I’m one of them. I find it strange that you’re so focused on Freedman. He’s just the lawyer. |
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