2000 Pennsylvania Ave, "Red Lion Row," is an example of how facadomy is not historic preservation. https://en.wikipedia.org/wiki/2000_Pennsylvania_Avenue#/media/File:2000Penn.jpg |
Yes they did this when I was a kid. I was thinking of this the other day because there is a last original townhouse people want GW (the owner) to "save" down.there and it's falling on deaf ears. Presumably something like this could work down there. However the Uptown is pristine. Whole block is. Why mess with a good thing. Don't get it. |
link? |
I agree with this. |
DC Historic Preservation Guidelines, Additions to Historic Buildings 8.1 While an addition does not necessarily need to be exactly the same height as the existing building, it should be designed to be compatible with the height of the existing building and its neighbors. 8.2 Compatible height depends, in part, on the location of the addition. For example, a side addition with the same setback as the existing building should typically not be more than one story higher or lower than the original building, while a rear addition may vary in height by two or more stories. |
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By two or more stories.
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From today's Post. I think this architects thoughts very much apply to the GGW 'stance', the Uptown and facadomizing: "Although Mr. Böhm was part of a group of architects who helped rebuild Cologne after World War II, he came to believe that as much damage was inflicted by the postwar construction boom as by the war itself. New highways were carved through the city and old buildings were torn down, replaced by structures that were sometimes nice to look at but, in his view, did little to promote a sense of community. “I think the future of architects doesn’t lie so much in continuing to fill up the landscape as in bringing back life and order to our cities and towns,” he declared in the catalogue of a 1986 exhibit of his sketches. In his Pritzker acceptance speech, he quoted advice his wife had given their children: “Our generation has built a lot, but your generation will have to work hard to heal all that.” |
If it is not visible from the street perspective. Hard to do with the Uptown. Not to mention that it would desecrate an iconic, historic landmark. |
The National Register of Historic Places nomination documents state that the Uptown is part of the most intact, unified Art Deco commercial strip in Washington, DC. Worth preserving, and not with 10 floor concrete and glass boxes on top. |
There are hundreds of visible additions all over the city, many of them several stories over the protected structure. This simply isn't a standard. |
Ok, so you prefer that it just sit empty for the next 100 years? That will be GREAT for Cleveland Park. |
If the Uptown parcel's height is limited to 40-45 feet (which is the limit under current zoning), then the theater owners may have an incentive to sell to a nonprofit that wants to structure an Avalon-type solution. It wouldn't make economic sense under current zoning to redevelop the theater into housing and commercial However, if the parcel is up zoned significantly, as Mary Cheh's comprehensive plan/FLUM change seems to faciliate so that the permissible height becomes 10 stories, then the outcome is very different. The property owners would be fools not to sell the property for dense mixed-use development, or try to develop it themselves. Indeed, the economic incentives for massive development become irresistible. Keeping the Uptown as a theater/arts venue becomes visually impossible. Thanks a lot, Mary Cheh. You just cost the Washington community the Uptown. |
It’s not so dramatic and the choices are not so extreme as you present. There are existing models for theatre reuse, like the Lincoln Theatre. There is the potential to add a couple floors of high end condos. There is no need to make a mockery of the situation like the Bethesda Theatre. |
The Uptown is closed. Mary Cheh has nothing to do with the financial viability of a white elephant theater. |
You are deflecting from the point and being quite arrogant about it too, if I must say. |