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That union statement makes it sound like the production used non-union labor to do this cheap or maybe because they were worried about the threatened IATSE strike and didn’t want to worry about closing the shoot.
I doubt local 44 would put out a statement like that if it was staffed by a sister IATSE local. This reads to me as a less tacky way to say “this is what happens when you hire untrained, underpaid and overworked scabs to do skilled union work….” And they are probably right. People are dismissive of the work that labor does and don’t recognize the value of having people that are trained, rested, compensated fairly (so they stay in the job longer), and don’t feel pressure to do their job in a slipshod way because they are worried about being fired if they are slow. |
| Or that he was too irresponsible/cheap to pay for properly trained weapons manager and an innocent woman was killed. |
Thank you for taking the time to write this analysis. |
| I just heard the news and they are STILL saying it was a prop/fake gun. |
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More about union vs. non-union film shoots:
https://ny411.com/blog/post/navigating-union-vs-non-union-projects |
| How would a live, real gun even end up on the set? |
The props ARE real guns. |
Interesting comment from Reddit about the safety protocol on non-union shoots in Utah:
Police are likely looking into the armorer they hired in New Mexico. Who is this person? What is their ideology? Any mental illness? That's the person who hands off a gun with a live round to Alec Baldwin. |
IF this was a deliberate setup to hurt Alec Baldwin, it's far more likely that the motivation was political, not personal, despite Baldwin's reputation. The political climate right now is pretty freaking dangerous, and Baldwin did the worst possible thing-- he mocked the other side. |
| Something is just very sketchy about this. |
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Who’s gonna play Alec Baldwin in the SNL murder skit?
I vote for Trump. |
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A prop gun is not a fake gun. |
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When do actors turned directors (or producers or whatever fancy title they take on when they are probably really only qualified to be an actor) learn all of these requirements?
Do professional crew roll their eyes about the current trend of actors calling themselves more elevated titles because they really don't know how to fulfill that more complicated role professionally? Plus, I would think (having worked with some celebrities,but never on a movie set) that movie stars don't take well to being constrained in any way or told No. Would love to hear back from some of you with relevant experience. |
This. And who decides to go into the line of work as film armorer? A person really, really into guns. You can probably guess their political inclinations. |