| Waahh Waahh I'm white how dare you say one thing isn't mine. |
\ true. Formation is awesome but then got ends flat when she basically confuses true feminist empowerment with counting your "paper" or money. That does prey on a certain segment of the black population. |
There is a reason for the "violence". During that scene, Beyoncé is dressed up as the Yoruba love goddess Oshun, who is known for being jealous and destructive. |
| Are you guys friggin serious with the continuous quotes? |
| I want to watch it now on HBO on demand. Does anyone know where on HBO on demand its buried? I can't find it under special, features, docs, movies, or series?? |
Over their heads. |
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Beyoncé took time to explain to you she was dressed up as a love goddess? Funny, because the article from the director states the violence & dress was inspired by a video from the 80s (of a white woman hitting cars with baseball bats).
Don't state assumptions because things LOOK the same. State facts. |
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This is what the Hold Up violence draws from... and WELP... It's art from a white woman!!!!!
https://m.youtube.com/watch?v=a56RPZ_cbdc |
Yep... All white men. LOL. "Hold Up” One of the most star-studded tracks on the album, this reggae-trap kiss-off was mainly co-produced and co-written by Diplo, Vampire Weekend’s Ezra Koenig, and Beyoncé herself. It also has writing credits from living acid trip Father John Misty, Soulja Boy (yep, for interpolating “Turn My Swag On”), the Yeah Yeah Yeahs (for "containing elements," whatever that means, of “Maps”!), Doc Pomus and Mort Shuman (for also containing elements of Andy Williams’s “Can’t Get Used to Losing You"), producer/composer Emile Haynie, singer/producer MNEK (who you likely know from Zara Larsson’s “Never Forget You”), producer Onye Anyanwu, and producer Melo-X. In what will likely be the most talked-about of the 12 videos, Beyoncé wields a baseball bat on the streets of NoLa, smashing cars, police surveillance cameras, and just generally fucking up every bitch in sight — us viewers included — all while maniacally asking: “What’s worse, looking jealous or crazy?” The entire visual draws heavily on Pipilotti Rist’s 1997 “Ever is Over All” installation. [u]In case her driving a monster truck over a row of cars didn’t make it clear enough, this is first and foremost a tale of infidelity. |
I don't need Beyoncé to sit down and explain the goddess symbolism in Lemonade. I'm Black, well versed in #blackgirlmagic, so I get it. You aren't a part of my culture, and you obviously don't know enough about African and African American religions to appreciate the symbolism in the movie. Here, since you need it spelled out for you: http://time.com/4306316/beyonce-lemonade-black-woman-magic/ |
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I enjoyed this "live watch of Lemonade" video:
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Typical white feminist. You just have to make everything about you. |
I'm not white... and this is in the news. I'm just sharing. |
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This is a really good article about Lemonade.
http://www.forharriet.com/2016/04/jay-z-did-exactly-what-you-should-do.html#axzz472SIoZAx |
| Yeah, that was great. Thanks! |