Yes. My account is 75 percent promoting other writers and other books, and then the rest is about my books -- like look at this review! Or here I am signing books at a bookstore. People tag me in their posts, and I repost those too. Sometimes it's just random pics of my dog, but 99 percent of the time it is book related. |
Yeah, I think that if there had been a round of condemnation, this would have died out quickly. Instead people are afraid, because they have now seen concretely what people like Ng can do to beginning writers. |
Agreed. This has been a barrier to my development and confidence as a writer, tbh. I've mostly kept away from social media for my mental health. Privacy is incredibly important to me as a survivor of violence. But my lack of social capital via a notable twitter/ig presence, or the desire to achieve one, has discouraged me from submitting my work and connecting with other writers out of fear of rejection. I'm still trying to forge my own little path but I do worry that there is no space left in this field for people who aren't Extremely Online. |
This is how i feel too -- that success would require embracing Extremely Online stuff, which i just can't ever do. |
| It's not just Extremely Online, it's Extremely Online with a side of Approved Workshopping. |
I’m very sorry for this, PPs. As a visual artist I feel similarly. The cream is not rising to the top, just the IG detritus. |
| Twitter is toxic. I would not be able to write at all if I were required to maintain a presence there. I understand entree to some genres is predicated on a social media presence, but I write literary fiction and no one has cared, yet. I'm still emerging as a writer, at the stage of having an agent and novel manuscripts to shop. Just wanted to offer encouragement for those who are trying to break in without wasting all their writing time acting like a hypocritical "woke" wanker on Twitter, bullying anyone who dares have an independent thought. |
Now you just sound bitter. |
+1 Also, you can build a small Twitter following and presence just tweeting occasionally (usually praise for writing I read and enjoyed) and following other writers and publications. I tweet maybe twice a month. And I NEVER dive into stuff like Bad Art Friend on Twitter. I just use it as a place to find good writing, info about classes or events I might want to attend, as well as support for stuff like 1000wordsofsummer or my daily writing practice. I don't pay attention to politics on Twitter or trending topics or anything. I don't care. I get my news from the paper and a couple podcasts. Twitter is just a way to decompress at the end of the day (like DCUM) and I have zero interest in being Extremely Online. It's a waste. I'd rather be writing! |
DP. Maybe? It doesn't seem that far off though. I don't know anything about the visual art world, but if getting noticed means making art that gets noticed on IG, that changes art, and maybe not for the best. |
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From Data Lounge:
Check out Celeste Ng’s Wikipedia page. Someone has added this: "In October 2021, she was involved in an online controversy wherein she stated a kidney donor should “go f*ck herself and her one kidney.” |
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I don't think she will comment, but I think Ng is toast in Hollywood. I bet Reese is having her canceled right now. |
I doubt it. Hollywood doesn't care. |