
Oh you know it |
Because they are fake to the core. |
She actually is a victim. Is that so hard to Believe? |
I’d get the hell out of that family too.
Look at Charles’s siblings - so many of them are useless f#ckups, don’t have jobs, have to beg Charles for money, don’t have their own voices, etc. They are trapped in the palace walls and can’t live elsewhere. Why do you think Fergie and Andrew still live together? They have nowhere else to go or any money to survive. Harry has set the template for Charlotte and Louis to chart their own course once George has a family. |
Entitled whining, complaining, jerks. |
Because he’s not a medical professional? |
I'm the same age as Meghan, so yeah, old. |
+100 |
Be that as it may, if the white people she is predominantly interacting with see and accept her as white/one of them, the fact that black people recognize her as mixed race doesn’t negate her privilege |
I fully expected them to announce that they were giving up their titles and making a clean break from their horrible family but they’re not? |
"Hi, I'm Meghan, the Woman formerly known as The Duchess of Success." |
I can't help but think of Barry Lyndon, the Stanley Kubrick film, whenever I see Meghan. She has that cat that ate the canary opportunist smirk on her face. Just like Barry, I suspect there's only so long Meghan can keep pretending.
"The film recounts the early exploits and later unravelling of a fictional 18th-century Irish rogue and opportunist who marries a rich widow to climb the social ladder and assume her late husband's aristocratic position. In 1773, Barry takes the Countess' last name in marriage and settles in England to enjoy her wealth, still with no money of his own. Lord Bullingdon, Lady Lyndon's ten-year-old son by Sir Charles, does not approve of the marriage and quickly comes to despise Barry, openly calling him a "common opportunist" who does not truly love his mother. Barry retaliates by subjecting Bullingdon to systematic physical abuse. The Countess bears Barry a son, Bryan Patrick, but the marriage is unhappy: Barry is openly unfaithful and enjoys spending his wife's money on self-indulgent luxuries, while keeping his wife in seclusion. ...the final scene (set in December 1789) shows a middle-aged Lady Lyndon signing Barry's annuity cheque as her son looks on." |