AP clarifies:
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What was "progressive" in 1860 is completely different from what is considered progressive in 2023. Treating people the same regardless of skin color was progressive in 1860, but now is considered reactionary. |
In a course on black studies you can discuss the experience of black gays. And black women. And black children. And black professionals. And black actors. And black people with disabilities. And black farm laborers. And black athletes. And black Muslims. See, it’s a course on black studies. Have you never taken a “studies” course before? The topics are wide ranging and inclusive. |
DP, but all you dopes and Floridians who don’t know shit about Black history need to STFU. The Harlem Renaissance in Black Queer History https://nmaahc.si.edu/explore/stories/harlem-renaissance-black-queer-history African American literary critic and professor Henry Louis Gates once reflected that the Harlem Renaissance was “surely as gay as it was Black, not that it was exclusively either of these.” Gates’s comments point to the often-overlooked place of the Harlem Renaissance within queer history. The Harlem Renaissance, a literary and cultural flowering centered in New York City’s Harlem neighborhood that lasted from roughly the early 1920s through the mid-1930s, marked a turning point in African American culture. Developments from Zora Neale Hurston’s folklore-influenced fiction to Duke Ellington’s colorful orchestrations reflected an assertive and forward-thinking Black identity that philosopher Alain Locke dubbed “The New Negro.” Black queer artists and intellectuals were among the most influential contributors to this cultural movement. Like other queer people in early twentieth century America, they were usually forced to conceal their sexualities and gender identities. Many leading figures of the period, including Countee Cullen, Bessie Smith, and Alain Locke, are believed to have pursued same-sex relationships in their private lives, even as they maintained public personas that were more acceptable to mainstream audiences. From a modern vantage point, the work of these artists and their peers is part of the foundation of modern Black LGBTQ art. |
Ah you reveal your agenda. Thought so. |
Amazingly accurate. It astounds me that "treating people the same regardless of skin color" is no longer the goal, but instead looked at as shockingly unPC and "racist." Really pathetic. |
That's actually *your* agenda. FYI. DP |
Pathetic is trying to argue racism is over We get it. You people hate the very idea of a class that focuses on AA experience. |
Are you black? Regardless, you're extremely pedantic. |
Sure, continue twisting things to suit your narrative. You just look idiotic. |
I thought you didn’t see color, so why are you asking? |
No one treated people the same in 1860 or 1960 or today. People are not the same, not born today as blank slates with no history or legacy. You racists are so full of hypocritical shit with your one misinterpreted MLK quote. |
Because for someone who's not black, you seem to be taking it upon yourself to speak for black people. |
So... on the one hand you want to be treated exactly like everyone else. But then you also want your race recognized and singled out. But when we do that, you call us "racists." And you're calling others hypocritical! Make up your mind.
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"You racists"? Hon, I have it on good authority that we're all racist. |