| When I first saw the New Yorker article, I thought "the ex-husband is out for revenge" but once I read it I sort of shrugged. She may have mislead somewhat on the extent of her at least future wealth, but I think the betrayal, the generational infidelity, and her refusal to go along with his narrative to save face is the more interesting part of her story. |
But why? The only thing about her story that makes it unique is her money/SES. |
There are trusts other than the one from her stepmother. |
The story is definitely interesting, but it’s not just because of her money, it’s also because she is a decent writer (likely a product of her extreme privilege and fancy schools). I’m not surprised that she lied to readers because as mentioned upthread, this woman is not very smart. From not listening to the advice of expert lawyers she has access to because of her immense wealth and social capital, to marrying a man who had “brushes with the law”, it’s clear she’s not the sharpest tool in the shed. The lesson for women I think is this: unless you know deep in your bones that your husband genuinely respects SAHMs (a lot of them pay lip service but they actually don’t) and will still find you interesting years later, do not give up your career. |
The fact that it is not unique is what makes it relatable. She is a good writer and she lives a glamorous life. So readers find that appealing/interesting and then add the relatable part and you get another reason to be interested. |
Also she seems like a genuinely nice person and self effacing person who isnt into society stuff given her lineage being Babe Paley's granddaughter and all. She is wealthy but not really glamorous |
I think that’s the point. She was blindsided, but owns the cluelessness that landed her there. How often do we see someone in her position do the latter? |
Why have I heard this more than once here? Do you all read total trash most of the time? She is NOT a good writer. She’s one dimensional, simplistic, disingenuous, and boring. |
Even the New Yorker writer said she was a good writer. Give it up. |
She's not bad. But the osprey allegories got on my nerves. |
I wrote this a week ago, well before the New Yorker story broke. Everybody had been spinning the prenup to be proof of his rapacious greed, but now it is clearly understandable as a completely legitimate protection against a prenup that could have left him with bupkis even after a 30/40-year marriage. And the prenup is so central to the plot of this memoir/novel, that it’s indefensible for her to hide its true context. People like Belle have always had armies of well-paid trust lawyers protecting them from adventurers like her husband, and of course they care not a whit about two people exiting a long marriage with wildly disparate levels of comfort. |