In response to your questions (I also posted similar answers to PP's questions): I really think Pizzolatto is playing the hubris card, in one way or another, for most of these main characters. I think Frank was on a high - he had just pulled off this amazing heist, one that should've been the last of his career - and the Mexicans blindsided him. I think in the moment that he realized what was happening, it was too late. They already had him boxed in - there were several of them. There was nothing he could do. I think hubris also plays a major part in Ray's decision to go see his son one last time. He was so prideful about not wanting his son to know who his "true father" was (God, so ironic that it ended up being him all along). Ray said "I thought we had time" and I think he truly believed they were that far ahead of everyone else. But we all knew when he was eyeing that exit sign that it wasn't going to turn out well. I agree about the thing with Ani's dad and the cult. Seems like it was a red herring, and only important because a bunch of those shady guys hooked up there years before. And isn't this also where Caspar found Vera? Other than that, yeah, didn't really go anywhere. (there was that whole realization that her dad had about poor parenting because he was so lax but eh, I don't know) I don't think Caspar necessarily had sex with Erica/Laura. I think that he knew all along that this was his kid. At least that's how I understood it based on the conversation that Ray had with the other cop in the airport before all hell broke loose. |
|
So after all that the hard drive self destructed. How anti climatic and what a waste of time dwelling on it the majority of the season.
I would've had the detectives use it as reverse black mail, release it to the press, or something (anything) that adds irony or suspense. All these potential solid parts the storyline hinges on and then nothing comes to fruition...And you have to remember characters that make a 30 sec appearance way back from the beginning of the season and never seen again until the last episode and you think to yourself "who was that again?" |
Quite frankly, I wasn't expecting any of these characters to end up with a happily ever after. The ending of season 1 was surprisingly happy (i.e., both the main character lived) and I didn't expect as much this time. It was terribly tragic that they went through so much (specifically Frank and Ray) only to die in the end, but I think that was the point. I also like the subtle nuances of this show. You kind of have to work to put it together, it's not just handed to you (which, as I understand, is much like The Wire?). |
| Can anyone ID who the other big wig was that was shot with Osip in the cabin? Couldn't really place him, again, few too many characters. |
He was the guy in charge of Catalyst Group, the company that was involved in the railway deal - he is the one who told Frank he'd let Frank have some parcels of land if Frank got the hard drive back. Ani also saw him at the orgy party. |
Just watched this last night. See, I thought the baby was Vince Vaughns. I thought he finally got his wife pregnant. |
McCandles or something like that. |
|
It seemed weird to me that the corrupt cops just killed Velcoro when he told Holloway in the train station, "If anything happens to me, this stuff on the hard drive hits the cloud." Why would the bad cops then just gun him down? Wouldn't they do anything to avoid killing him so that a) they could find out where Ani was, and b) to avoid the stuff on the hard drive going public? Or maybe they just figured (correctly) that Velcoro was bluffing. I agree that there were a lot of red herrings and stuff that didn't go anywhere, but I thought it was to try and keep you guessing -- like the thing about Ani's dad's cult, the vague allusions to motorcycle cop having done really bad stuff when he was overseas with the military contractor, and the thing about the woman whose sister was missing and who Ani later rescues from the sex party only to have the sister say, "What's your problem? I was fine being a prostitute!" What was the thing about the mayor's wife being treated by Dr. Pitlor and then killing herself - did that really go anywhere? As for minor characters showing up later in the season as significant, the same thing happened in Season 1 - where a very minor character later turns out to be the main killer. |
Wow, I think I'M out of it paying attention during movies to various characters and plot lines- you are really bad!! And to have to be led with a flash forward a conclusion that the kid's now a cop (totally not necessary and not where his character was going) is just too easy. Here I was feeling like a dumb moviewatcher because I wanted Frank and Ray both to live... (too easy) but it was never going to happen. I just thought the story lines were so tragic and romantic- the connections the male/female leads had at the end. I was literally on the edge of my couch with my hands cupped over my mouth for the last 45 minutes of the episode. And I did feel the first few episodes were boring and didn't have the draw of the first season- hated Vince Vaughn's 'acting'.... but then I started to care about the characters. Man, Colin Farrell seriously has depth as an actor, for a random little Irishman. I'm still crying about the diamonds in Frank's pock. |
|
Just binged watched this season, and ugh, horrible. First season was so well written and acted, this was such a let down. Definitely agree with PPs who mentioned that it was too heavy on (bad) dialogue, too many disparate settings, every mob under the sun, so many plot holes and expositional crap.
The shoot out was ridiculous. So many head shots and only the three of them surviving. Also it lasting that long and having that much carnage, then finally back up arrives. Rachel Mcadams had a foroughed brow in 90% of the scenes. Those god awful rings, which are probably against departmental guidelines to wear, and those goofy Annie hall inspired hats at the end--how incognito of them. James Frain always plays the bad guy and some how knew which pillar to stand behind waiting to shoot Tim rigging in the back. Most cringeworthy line Colin Farrell saying to mcadams, you'll need a restraining order to keep me away. |