Just to clarify (though the end result will be the same--show closure for now): Any strike against The Broadway League and Disney Theatricals, the companies involved, would be a strike by IATSE (the union representing stagehands, wardrobe, makeup and other technical employees), not Equity (the union representing actors). The result, though, would still be that shows would halt. I'm really sorry, PP; it sucks to have plans made and tickets bought! But the issues for IATSE are important, like the ones for SAG-AFTRA and WGA. Health care and pay are at stake. According to this article, some shows which do not use IATSE members might be unaffected if there is an IATSE strike on Broadway, so if any of the shows you would see fall into that category they might still take place, maybe? https://www.etonline.com/wicked-and-many-broadway-shows-may-soon-halt-as-iatse-calls-strike-authorization-vote-208352 |
let’s hope teachers don’t get any ideas! |
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What about reality shows???
Bethenny Frankel posted on her Insta a rather compelling case for reality stars who get paid peanuts and don’t get residuals—noting reality shows became important during the last strike (in terms of generating new content). She’s not wrong. |
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NP. I think everyone involved in film and theater production, as well as the rest of the arts need to be paid appropriately. There's plenty of money to go around.
I don't know why this is a question, but for some reason it is. Greed abounds. |
Previous strikes are what gave rise to the inane reality TV shows |
DP. Sounds like you don't believe that NBC Universal did the cutting. Trying to get a link that will work (behind a paywall right now) but the studio has said publicly that it, not the city, pruned the trees and does so every year "before high wind season." Mmm-hmm. This is the same corporation currently resisting an LA police department request that they put up a few barriers to create a pedestrian walkway so picketers are not forced to picket in the street due to NBCU's brand new construction project at the very gates picketers were targeting. If you think the corporations aren't playing hardball with picketers' health and safety, you're wrong. |
And the people on them get paid to live their lives, not create any new, original content out of their brains like writers and actors must do to make their livings. I do admit, the lower-level reality participants (not Frankel!) get crappy pay--a few thousand for a season sometimes, not commensurate with the hours they spend on these shows...living their lives. But if they feel they deserve more pay, they should get organized and form their own union. End of story. They shouldn't be out there right now trying to ride the coattails of the actors' strike to make their own claims. What they do and what actors do, and the training and experience actors have to accrue to do their jobs well and stay employed, are not comparable at all. |
| Can someone explain this to me - how come actors as a group can unionize - no matter who their employers is (Hulu, Netflix), but each tiny starbucks store needs its own Union vote? How does that work? |
I mean, I get that we're talking about actors and writers here, but if you consider your post in the broad spectrum of things, I'd rather sign up to pay teachers a guaranteed salary of $250K and never watch another movie again. Come on. |
Your rights as a worker should be taught in high school. Collective bargaining ( basics) should be taught in high school. |
Starbucks employees as a whole could unionize, but that would be almost impossible for any union to organize. Maybe in the 60s they could have pulled it off, but not now. |
In the world of acting, technically you are not supposed to work AT ALL unless you join the union. And the union dues can be very expensive. So, it's a big deal if you get a speaking role somewhere, because then you can join the union. Same goes for writers, director, producers, etc. |
That's a stretch. Some of the scenes in "non-scripted" reality shows may have a basis in reality, but they're recreations or producer prompted drama. They'll even do multiple takes. I'm not saying it's on par with scripted series, but production crews aren't going to waste their times following somebody living their typical lives. They're going in with a story already planned out. |
That "story" still isn't a scripted plot involving their own creativity. They should unionize if they feel they're working in ways that deserve more compensation. But it's a bad look for them to try to use the actors' and writers' strikes to make points about their own pay. That muddies the waters because reality participants (even with multiple takes and an overarching direction mapped out) are not actors, writers or other "creatives." I'm not saying they don't put in lots of hours --they do. I'm not saying they're well paid--they truly aren't. But they are not creating anything, only moving around inside a structure producers build around them. They should define and work for their own improved contracts and work conditions, rather than talking as if they share the same concerns as actors--whose training, experience, efforts and end results are very different from reality participants'. |
Mandy Moore made 4.5 million per season for This is Us. More money than most human beings on this Earth will see in a lifetime of working. How much more do you think she deserves "up front" to make up for low residuals? It is hard to feel sorry for her. If she doesn't like the residual check, maybe she should find another career. |