+1 |
The specifying race in an English class would make me very uncomfortable. For history and there be a lesson on it, yes, but as a political statement, no. |
I'm one of those "was an avid reader as a teen" people for whom I think this approach would have been a problem. I didn't like all the texts I read in high school English (I did, however, read them all - I think the only one I didn't finish in four years was Red Badge of Courage). But I did think it was valuable to have assigned texts with some support - I wasn't the type of kid who would have picked up, say, 100 Years of Solitude on my own. I would have been intimidated by the length and reputation and writing style. But it was really valuable to me to have read it and to have the in-class discussion as a guide to getting through it. And then later, I did read more Marquez on my own. But if just asked to choose a book in high school by a Latin American author (or whatever the prompt would be)? That wouldn't have been my choice; something much simpler would be.
Similarly, there's a lot of value, IMO, to being able to discuss critiques of works and the like as a whole group. We never read TKAM in school - so fine, skip it. But, for instance, we read Heart of Darkness. Then we read and discussed Chinua Achebe's critique of Heart of Darkness, which obviously stuck with me since I'm posting about it 20 years later - if some kid had decided to read Heart of Darkness on their own, and nobody else had read it, and maybe you hadn't read it, or hadn't read it recently, how can you get into in depth critiques like that? Or social context - I absolutely loved Jane Austen (still do) and probably would have chosen to read her books if given a choice. But having a teacher there who had also read all her letters and historical stuff about the period and who could talk about things like what the entailment meant in the context of the book added depth I wouldn't have gotten on my own. As an adult, I've found a lot of value in book clubs for the same reason as all of this - it challenges me to read stuff I wouldn't have picked up on my own and gives me a chance to talk about a single work with other people who have thought about it and maybe read other things about it than I have. I'm also now a lawyer, so being able to take dense texts and argue my position about them is basically the foundation of my work. Again, just picking and having broad conversations about themes? I don't think that would have gotten me to the point of being able to do my job the way I can. A more traditional curriculum really helped, though. I'm not saying there's no place for choice - but I do think there are lessons you can learn from assigned reading. |
I would have picked books I already read to have one fewer class that I had to do work for. (I read — and still read — a ton for fun. Mysteries are my jam, but I like a wider range of contemporary fiction too and always read the Booker and Pulitzer finalists each year, just as a way to get a survey of recent “great” books.) I went to a magnet with a lot of work and making one class much less work would have outweighed all other considerations, just being honest.
Also, I would have hated discussions in a class like this: what if my classmates basically “spoiled” a ton of good books I was otherwise interested in reading? I admittedly read for plot and would likely never read a single book discussed in the class as a result of it. Also, it sounds like maybe you teach at a school with few students headed to elite colleges, but if that’s wrong... I think depriving your students of real, in depth literary analysis before they head to college is a mistake. No way you get that experience when everyone is reading different texts and you, the teacher, may not have read every book and certainly won’t have read critiques of all of them or even thought about them in depth. |
DP- there are 7 books total about the Tillerman kids. After Dicey's Song, they are harder to find but SO good. They have been my favorite since I discovered them in my great grandmother's playroom at 10 or 11. I still to this day will grab and re-read if I have nothing else to read. |
Well said. I can just imagine a kid proposing a theory she did not agree with, or wanting a healthy debate about theme or author's purpose, and OP nastily shutting them down and refusing to let them use their own voice and explore their own ideas. Makes me really, really sad. |
+1. OP is getting fewer constructive answers because of her first rude response about the sticky notes. OP sounds like an early to early-middle career know it all. |
My 16 year old DEVOURED books up until about 7th grade and now it's like pulling teeth to get her to read. I think she got burned out reading textbooks, etc. in the last few years. She's picked up Sotomayor's autobiography (which was a christmas gift) and read about a chapter so far. Last summer, she read Things Fall Apart, but that's because we (parents) required it. (She didn't hate it, though.) |
Wow-- I read part of this thread with several responses from OP. I hope she doesn't teach in my kid's school! So rude and immature in her responses. |
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I have a reader who reads non fiction. I have 2 non readers, who didn’t read anything this summer. |
It is difficult to study American lit in any meaningful way without discussing race because it decontextualizes both the fictional events and the author that produced the work. Laura Lippman has spoken about audience reactions to her latest novel, saying that she could not write about Baltimore without writing about race. Imagine studying British lit without ever discussing social class? |
My high school English teacher did this. I read Anne Rice vampire books all year. I spent a lot of subway commuting time in my 20s catching up on the classics I never got to read because they were never assigned to me in school. I felt like an idiot in college every time Catcher in the Rye came up. |
How will you know if their answers are accurately if you haven't read the book, yourself? |