I haven't seen this DCUM thread linked anywhere. I doubt he has seen it. DCUM is actually pretty small. |
On Twitter, the only person that Ng has interacted with on this is Becky Tuch, who herself isn't a blue check. Otherwise the blue checks have closed ranks. I am cynical enough to believe that a group of writers has actually read a lot about this and probably some of them have seen the court documents, but they are more interested in protecting their own access to power than in the truth. This is after all at heart a matter of keeping someone with a working class background out of the small group of wealthy and influential writers. |
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"The story was available on Audible — an audio version, put out by a small company called Plympton." -- Bob Kolker
Plympton is not a small company. Great tweets below showing the ties between Plympton (which has a partnership with the NYTimes!) and many of the authors involved in this fiasco. For example, Cheryl Strayed, who ignored Dorland's appeal for advice (and apparently writes Dear Sugar with the totally-not-sexist Steve Almond) is also listed as a Plympton author. The conflicts of interest are alarming -- how could the Times not mention any of this? https://twitter.com/DrDorianCramer/status/1450234752842276869 |
| Celeste Ng wikipedia page no longer has the line about her role in bad art friend. |
| Can someone give some detail on Celeste Ng’s role here? I have not been reading the thread all the way through. |
It's been updated. |
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New piece by Kolker in NYT addressing the Bad Art Friend:
https://www.nytimes.com/2021/10/20/insider/bad-art-friend-twitter.html?partner=IFTTT |
A completely useless follow up. |
I just read that and found it deeply disappointing. Kolker is essentially doubling down on his "two sides" approach and this Rorschach test this is BS. People need to retire that. In the days since his story was published, much has come to light and Kolker is clearly so fragile in the ego dept. that he cannot acknowledge the possibility that his storytelling style did a disservice to the truth, and that he (inadvertently?) ended up a lackey for the Chunky Monkeys PR game. This is not about Twitter wars, or interpretations, and it honestly it sickens me to see the powerful NYT wading back in here to scold us that this is about "art" and "inspiration" and "feelings." He completely ignores the mountain of evidence, which is available thanks to SL suing Dawn Dorland, that paints a picture of powerful people conspiring to silence an outsider. It is egregious, and shameful. So disappointed in him and in the NYT. |
Extremely patronizing. Yet again, the tone these people adopt is one of, "Ugh, these peasants just don't get us enlightened literati." Bob, get over yourself. You too, Celeste. |
What kind of weak lame nothing piece is this? Ugh |
| I can’t believe how bad this follow-up article is |
Instead of clarifying it just makes things worse |