They underutilized him last Olympics and overextended him this time. As a result, he was instrumental in securing gold for the team and was left with nothing in individual event. |
Two more factoids about Gumennik: - He has an SAT score of 100% (Russia's SAT equivalent) - His father is an orthodox priest |
They had absolutely no business putting their A team into the team event. He burned it all there and there was nothing left for the individual event. They should either hold the team event after the individual meet or explicitly slot a different set of skaters into the team event. You cannot expect top level runthroughs of the same program so frequently. |
Two more to add to your list: -Diana Davis, ice dancer from Georgia, daughter of (notorious) Russian coach Eteri Tutberidze. -Anthony Ponomarenko, American ice dancer, son of Sergei Ponomarenko and Marina Klimova, Russian ice dancers and Olympic gold (and silver and bronze) medalists. |
Dp. And Diana's partner, Glen Smolkin, whose father is an actor and played the butler on the Russian version of the Nanny! |
Thought for a long time which cartoon character reminds me of Malinin and it is Prince Charming in Shrek. |
And Kristoff from Frozen |
Lots of Russophobes there. Now they feel justified and emboldened |
Not if you are from the right country, it won’t |
+1 This team event is cute, but what's the point? I think it would mess up athletes' abilities to peak during the individual performances (you know, the whole point of them coming to the Olympics) |
Yeah, there was a sizeable diaspora of coaches and skaters-turned-pro in the years after the Soviet Union broke up. Most of them ended up in the US where there was more money to be made going on tour, better training facilities, and better opportunities to coach. Figure skating enjoyed a surge in popularity in the mid-90s after the Olympics and all publicity around Nancy Kerrigan and Tonya Harding, so there was a growing and ready-made audience for all the shows and lessons. I started taking lessons as an adult and competed for a bit Usova & Zhulin and Stekolnikova & Kazarlyga all taught at my rink, and Ilya Kulik trained nearby.
And then many of the expat Russian skaters from that original mid-90s influx stayed and had kids, who are old enough to compete for the US now. It’s fun to see familiar names coming around again. Personally, I love the Russian style. It’s so balletic and lyrical, and the artistic side often gets neglected these days in the rush for quads. The ballet influence provides a good technical foundation for the jumps and spins. |
How often do they run through their routines? Aren't they doing practice run throughs all the time? When I was listening to the commentators they suggested it was advantageous to work through the nerves during the team event. |
Athletes are planning their training to peak at the right time. That right time is the individual event. They are doing run throughs but not necessarily with the full technical content all the time. If you watch practice, you will commonly see athletes running through their programs with "placeholder" jumps - either a single or a half loop - just to mark "jump goes here." It takes too much energy to do a complete program multiple times and they don't want to leave it all on practice ice. |
It's the balletic foundation, yes, but the true bedrock of the Russian style is superior blade control built through hours and hours of drilling the most basic of maneuvers until the sweet spot of generating enough speed without friction is achieved. Oleg Vassiliev said they would start practice working on nothing but crossovers (basic steps to get around the ice) for 90 minutes, nothing but crossovers until they are perfected to the point of being able to cross the entire rink in a two or three pushes. Ice dancers would spend an hour working on nothing but a single turn until that turn makes a perfect line on the ice and the skater is perfectly centered over the blade. Recall the famous "quiet blades" of Gordeeva and Grinkov who could generate awe-inspiring speed around the ice making barely any sound at all - because they were riding on that sweet spot of the blade that met no friction of the ice. This training foundation, sadly, will never be replicated. One, because no one has patience any longer to drill the basics before moving to the showy stuff. And two, because it was sustained by the system that had no concern whatsoever about paying for ice time. |
It feels like a cheap ploy to get more ratings and extend figure skating through the whole Olympics. |