Anonymous wrote:
Anonymous wrote:
Anonymous wrote:
Anonymous wrote:
Anonymous wrote:
Anonymous wrote:
Anonymous wrote:It's punching down. It's a Hollywood actor who gets paid millions for everyone movie he makes and who has a big presence in popular culture (and a big voice) criticizing art forms, and by extension artists, who mostly don't make much money and have to fight to be heard or seen in a landscape filled with TikTok videos.
It's not like people in ballet and opera are under the mistaken impression that they are the center of the universe and everyone cares. They know! They know their art forms get less money and attention every year. They know it in their paychecks, ticket sales, and audiences.
It would be like if some wealthy author of romance fiction whose novels are all made into TV shows and movies and is a household name, randomly decided to say "You know I'm so glad I don't write something no one cares about, like poetry or plays. Sorry to poets and play writes I guess."
It's just like -- why be a dick about it? It's not like you see ballerinas and tenors in interviews crapping all over Chalemet movies. They were just minding their own business, making art and working hard at something few people appreciate, when one of the biggest actors in the world decided to attack them. Why? So dumb and I'm glad people went after him for it. He needs to grow up.
I don't see how it's punching down whatsoever: Ballet dancers and opera singers are enormously talented in ways actors are not, and work harder than any actor ever has. It's a different art form. It's less lucrative as a career, and it doesn't bring in crowds the way movies do, plus the field SHOULD be worried about diminishing audiences and solutions to the problem. Him bringing it up with his stupid quote was actually a happy accident because now people are talking about it and getting interested again.
Again, you seem to be under the impression that people in ballet don't understand they are dealing with diminishing audiences and cultural relevancy. THEY KNOW. It is one of the most frequent topics of conversation for the boards of these companies and for the companies themselves. Everyone feels it. Everyone knows.
There are no people in ballet or opera who think the latest production of Gisele or La Traviata is pretty much the same as the new Dune movie. They aren't stupid.
It's punching down because these communities are already well aware that they are fighting for the survival of these art forms, and Chalamet is in a position to help or lift them up, or even just be neutral, and instead he's making some offhand comment about how irrelevant and dying they are in the middle of a "town hall" with Matthew McConoughey, which he was invited to not because he's so smart and has such trenchant things to say about the state of the world or the state of art, but because he is a recognizable name.
It is 100% punching down. He didn't say anything that people in ballet/opera don't already know, but he said it in a way that was rude and condescending for absolutely no reason other than to make the point that his chosen art form is in a *slightly* healthier economic state (if he doesn't think film has its own issues, HE is the stupid one).
So if they know, what are they doing anything about it? Chalamet is annoying, but you know what? He brought a lot of people into the theater to see a stupid irrelevant ping pong movie. In terms of box office, it was one of the few outright successful movies of the year. The film industry needs more people like him to survive, and so do ballet and opera.
The fact that you don't even know what ballets, operas, and symphonies do to attract audiences mean you, like Chalamet, have nothing useful to contribute to the conversation.
Also, if the art you are making is "stupid" and "irrelevant" who cares if a bunch of people pay to watch it?
Whatever ballet and opera are currently doing to attract audiences isn’t working, which is the entire point of the conversation.
The are art forms that are inherently disadvantaged in modern day culture. They are most impactful in person, not on screen and definitely not on smart phone screens. They are largely long form in a world with a tiny attention span. They are dependent on the expertise of artists (not just dancers and singers but also musicians, choreographers, costume and set designers) who have honed their craft over decades, in a world where everyone and their brother want to be able to claim expertise on TikTok after watching a few videos.
There are modern ballets and modern operas, but the struggle to find audiences with young, general audiences because these art forms are inherently ill suited to modern sensibilities. They have social media accounts and there are ballet and opera influencers. They bring performances on smaller scales into communities that may not have seen these art forms before. They travel. They put ballet and opera on streamers and show them in movie theaters. They collaborate with pop stars and movie directors to try and find ways to make these art forms relevant to new audiences. But they are fighting a tidal wave. These art forms, to actually survive, require people to buy tickets, get dressed, go to the theater, and sit in the dark to watch a story told without words, or in another language, or that might be challenging or strange. When ballets and operas have tried to change the art form to modernize it, they wind up with a fleeting new audience who doesn't stay committed, and these experiments often turn off devoted fans who presently form their entire financial support. These art forms are dying because they are ill suited for the modern world and modern sensibilities.
The ridiculous thing about Chalamet's statement is that he said it smugly as though his own art form isn't next on the chopping block. He said it with the ignorant confidence of a young person who presumes that film will handily weather the shift to streaming, the closure of thousands of movie houses, the consolidation of production companies, and the incursion of AI, and that he will be left standing at the end with a job and a fan base. Good effing luck, Timmy, especially if your attitude towards the art forms that have met those fates before yours is "too bad so sad."
He is a moron, and so are you for not understanding all this.