I had Toni Morrison's Bluest Eye in 11th grade in 1985. I loved all the dreamlike Freudian undertones to it. She didn't write about race Ii a preachy blatant way. It was nnot about the black experience as front and center. The black experience was a background to a magical, maybe dark experience. Maybe like Faulkner's Sound and Fury, it is southern gothic. |
My husband and I are in our 40s and we had to read Amy Tan and a lot of other immigration trauma that I can’t even recall in school. It was monotonous. I can’t recall a single book I read in school that gave me a happy or positive feeling upon finishing it. All depressing sadness and guilt. Great for teens mental health. |
Seriously. There are so many books out there. Read what you like. There are lots of white men writing new books every year. Some people are interested in the immigrant experience or reading about experiences different from theirs. Nice to have lots of options. No need to insult entire genres or authors because it’s not to your taste. |
George Saunders? Junot Diaz? Tony Marra? Karen Russel? Lauren Groff? Curtis Sittenfeld? Etc.? Etc.? Etc.? |
I'm 56 and I totally grew up with Toni Morrison, James Baldwin, Amy Tan, Alice Walker, Gabriel Garcia Marquez. All fine writers. That was school reading. It's been decades since white men dominated literature. Maybe boomers can remember. But there's also nothing wrong with reading Shakespeare, Joyce, Hemingway, Faulkner etc. A writer can't control their race or gender. A good book is a good book. And elevating something solely because the author is a woman and POC is lame. Which is why we have so many mediocre books. Bring back the 90s when quality mattered. Now excuse me while I tell some kids to get off my lawn. |
Ellin Hilderbrand too. Most every popular novelist has an MFA. They may not note it in their bio. The exceptions are actually the Freida McFadden types. There have always been mediocre to bad novels that are popular. I think some in the past were even worse. |
Publishing is a competitive, cut throat industry. It seems highly unlikely to me that they’re publishing books because they’re authored by women or POC. I’m going to offer an alternative explanation that not everyone agrees with you about what is a “good book”. “Quality”, as defined by you, has never been the metric for deciding to publish books now or in the 90s. Expected sales are vastly more important, as evidenced by the oceans of books published that are authored by James Patterson and Frieda McFadden. |
| I haven’t read all of the comments. I read to escape and relax. Some of the books I enjoy are “mediocre”, but books with substance aren’t always relaxing. Sometimes I want it to be a little mindless. |
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I read Yesteryear and it was a disaster.
Also, DNF TLOSAS. |
This is false, and you sound like an MFA snob. The classics were all easy reads, heavy on plot. Because that's how life is -- plot heavy. There is so much nonsense in literary fiction today. Also, as someone "schooled," you should know that books are a subjective art. |
Not anymore because the Post killed the book section and fired everyone who worked there. |
What? What is “false”? lol. |
Just finished Yesteryear and really liked it. Enjoyed it is too happy of a word. |
Uh, "The Loneliness of Sonia and Sunny is far from "mediocre." That's not a fact. It's an opinion, presented as fact. |
They still have book recommendations and reviews!! Don’t quote me but I believe it’s in the Sunday Arts section. I was relieved!!! |