Walls doesn’t have the physical space for a show. It makes the logistics much more difficult. The only space they have to rehearse is the cafeteria. |
Actually I'd guess the majority of schools paying as much as Hadestown's Teen version costs are not public schools. They are private schools and youth theatres. Also, Hadestown teen is not available in some geographic areas because of professional production exclusivity issues, which may be the issue here. If the issue is a local production blocking access, they can waive their exclusivity. I've been in this world for awhile and I'm telling you that it is possible to come to a unique agreement a lot of the time. It's definitely worth a try. |
Wow, thanks for your lack of empathy for 14-17 year-olds who are now really disappointed. I don't have skin in the game, but I feel for these kids. Even academic-focused schools need to offer kids a chance to exercise other parts of their brains, and they need to follow through on implicit promises made to these kids when they cast the musical. Also, despite your assertion, and despite its lack of facilities, Walls actually does have competitive sports teams. (Which probably says more about sports in DCPS in general than it does about Walls, tbh.) |
There has to be more to this story. If you have $$ you can license a show.
Walls parents would absolutely contribute money to make it happen. |
Word is that the "more to this story" is that the Walls principal is completely unsupportive and her office dropped the ball here. |
Unsupportive of this play, unsupportive of the theater program or unsupportive in general? We’re new, but so far, I’m not impressed with her. |
Her job is to punish Walls parents for their impertinence. Previous admin stood up to Bowser, and now Bowser is going to make life hard. |
She is unimpressive overall - we are happy enough with the school, but so SO underwhelmed with her |
Why wasn’t there a search for a new principal when the old one was let go? Strange that she’s still the principal. Although I can see why DCPS would want her there. |
Which is a part of following the rules and process. |
Huh.
I wonder if this is why schools often put on plays that are kinda old? Maybe they are in the public domain? |
I'm not sure they ever reach public domain status, but yes, the rights are easier/cheaper to get. |
+1 Older shows are cheaper and the restrictions on exclusivity are significantly less strenuous. I have no idea what happened at Walls, but I know that the HS where I work had secured the rights to this year's show (fall and spring, neither one currently touring) before the school year even started. A show like Hadestown teen would have needed to be locked down probably even before that, including not just the script and marketing rights, but also the scores, and then sheet music if they use a live pit orchestra/band/stage band. For those asking why Walls couldn't just plead with the company, you have to realize that these rights are held by enormous companies that operate worldwide. I just looked up Hadestown Teen and it is held by Concordia. You can look at "Now Playing" and see that, in our general region, only two schools in Maryland have rights, then thirteen schools in Virginia including a bunch of close-in high schools (McLean, Arlington). There look to be about 150 high schools with upcoming productions just in the US and that doesn't count those who did Hadestown Teen as their fall show, just upcoming spring ones. My one surprise is that they could not pivot. If they thought they had enough money for Hadestown, they absolutely had enough for Grease or even something edgier like Rent Teen Edition. |
+1 Older shows are cheaper and the restrictions on exclusivity are significantly less strenuous. I have no idea what happened at Walls, but I know that the HS where I work had secured the rights to this year's show (fall and spring, neither one currently touring) before the school year even started. A show like Hadestown teen would have needed to be locked down probably even before that, including not just the script and marketing rights, but also the scores, and then sheet music if they use a live pit orchestra/band/stage band. For those asking why Walls couldn't just plead with the company, you have to realize that these rights are held by enormous companies that operate worldwide. I just looked up Hadestown Teen and it is held by Concordia. You can look at "Now Playing" and see that, in our general region, only two schools in Maryland have rights, then thirteen schools in Virginia including a bunch of close-in high schools (McLean, Arlington). There look to be about 150 high schools with upcoming productions just in the US and that doesn't count those who did Hadestown Teen as their fall show, just upcoming spring ones. My one surprise is that they could not pivot. If they thought they had enough money for Hadestown, they absolutely had enough for Grease or even something edgier like Rent Teen Edition. They did Rent last year. The issue is also due to location and not being able to identify an actual theater to hold the musical. Walls does not have an auditorium (or gymnasium for that matter) and the relationship with GW in terms of facility usage is almost non-existent. |
They did Rent last year. The issue is also due to location and not being able to identify an actual theater to hold the musical. Walls does not have an auditorium (or gymnasium for that matter) and the relationship with GW in terms of facility usage is almost non-existent. Why is it that way? Why can't the admin/DCPS improve their relationship with GW? I wish more was done. Same with the athletics. |