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There are a lot of actors that are really good who are only ever in a couple of movies and have a hard time getting roles.
Would you go see a movie just because he’s in it? Me neither. Would I go see a movie because Denzel Washington is in it? Definitely. Which one deserves to be paid more? Is that racist? |
Lol "I hope no one takes the bate[sic] and offers him a ridiculous amount for a new role." Yes, the classic bait of hiring a ridiculously talented actor who has a proven track record of carrying films, has worked well with directors like Spielberg, Edward Zwick, Jim Sheridan. Oh no, don't let them get taken in.
The irony here is that because Hounsou, like most black actors, is perennially underpaid compared to white actors of a similar reputation, you can pretty much always get him for less than you would a white actor. Hounsou was nominated for a Golden Globe in 1998 for Amistad. Let's look at the other actors nominated that year and their current salaries on movies, shall we? Leonardo DiCaprio (nominated for Titanic) -- now earns $10-30m per movie plus usually backend, has his pick of roles Matt Damon (nominated for Good Will Hunting) -- he earned $25m for the Martian, also gets backend, major force in producing and a lot of control over his career Daniel Day-Lewis (nominated for the Boxer) -- harder to ascertain, he's a special case. I can't find his payday for Lincoln, which is the last big budget movie he made but it's estimated at $6-8m. His net worth is estimated at $50m (grain of salt) and he doesn't work a lot anymore and when he does makes smaller movies. But even that is privilege. He can disappear for years and then pop up and make a movie like The Phantom Thread and get nominated for another Oscar (he's already won two). Peter Fonda (nominated and won for Ulee's Gold) -- not a good comparison because he was at the end of his career when he made this movie. But he was also born to Hollywood royalty (dad was one of the most famous actors of all time) and never wanted for money. He also didn't have to compete that hard for roles early in his career. He got cast in a lot of things because he knew the director or producer and his last name was Fonda. Doesn't mean he wasn't a good actor -- he was great. But does mean that he had it easier than Hounsou who is also a great actor and has had none of the benefits of being born into the business. I'm sure you do wish Hounsou would just give you the money he's earned in his 20 year acting career. But he earned it and a lot more, yet still struggles for roles. When you look at how his white peers have done in the same time, it's hard not to see that as a result of systemic racism. |
DP and it's not just about the expense. Imagine having to leave a set and find a barber who can style your hair for a role, explain to them what is needed for the role, etc. Versus a white actor who can just pop over to the hair and makeup trailer and have someone who is an expert at doing this kind of thing for film do their hair without having to oversee the whole process. The white actor can run lines, focus on internal character work, get into the proper headspace for the scene. The black actor meanwhile is in an uber coming back from the barber worrying about being late and then criticized for not taking their job seriously even though they are going above and beyond to ensure they look right on film. It's also a well known fact that black actors are often poorly lit in films and tv because a lot of lighting directors have insufficient understanding of how to light them. I remember Issa Rae talking about this and how they hired a lighting director with a lot of experience in this area an that's why all the black actors on Insecure looked so good. Imagine putting tons of effort into your acting and performance and then you see the movie and your facial expressions aren't as visible as those of the white actors because you are poorly lit? Or think about how that can impact your viability for a role that has neutral race casting in theory -- to what degree does the preference for lighting lighter skinned actors impact a director who just doesn't want to deal with the trouble of lighting someone with darker skin? Think about how stupid it is in 2025 that there would still be people claiming it's too hard to light an actor with dark skin on a movie. This is pure racism but it's also accepted in the industry like "oh yeah everyone knows it's really hard to light a black actor, should we hire Viola Davis for this?" It's idiocy. |
I have been persuaded to see a movie because Djimon Hounsou was in it. He is a very high caliber actor and his involvement in a movie indicates to me that it's going to be higher quality. My spouse feels the same way. Also your reference to Denzel is funny to me because Hounsou was in the original Gladiator movie and was one of the best things about it, and Denzel is in Gladiator II and is also one of the best things about it but in a totally different way (Hounsou turned in a better and more naturalistic performance in the original movie which featured a lot of bad acting, Denzel turned in a scenery-chewing over-acting performance in Gladiator II among a lot of more subtle actors but it was an absurd movie so his hamming it up actually helped the movie to work). |
Being great or terrible is irrelvant. Actors who producers think will bring in more money at the box office get cast regardless of skill. If you think it's about racism, blame the audience |
| OP I think your quotes are fake. |
Hollywood has a ton of leeway to sell audiences on an actor they like for whatever reason. Look at someone like Adam Driver, who is weird looking and has a kind of odd style. He's not some classic leading man but he gets work a lot even in big budget films because he's talented and interesting looking. Audiences didn't know they wanted Adam Driver until they got a lot of him, and even now there are people who are like "he's so weird, why is he in so much stuff." It is not purely driven by audience demand. Directors and producers have enormous power to guide audiences preferences. Hollywood is a manipulative industry by design. |
| Systemic racism? Come on people. No it isn’t. Have you seen all the minority actors on Netflix shows? There’s plenty of work. It’s just there’s more competition for that work than ever before. |
Should people feel some other way about racism? |
Sounds like he needs a better agent to negotiate better fees for him then. |
| I’m going to say the quiet part out loud: he looks too African for a lot of roles and that probably pigeon holds him. He’s not ambiguous enough for sci-fi , not American looking enough for a classic AA film - not even the Tyler Perry style and he gives too foreign for a marvel or Star Wars franchise. So I’m going to indeed blame this on systemic racism. It’s his look - not his acting. |
Thank you for this TLDR summary for someone like me who saw the headlines about this but didn't read the article. |
And, more importantly, almost all of the "rich" actors are grossly overpaid given how mucn money movies are losing these days. Honestly, he is overpaid too. They all.are. |
Why don't the actors put a proper barber into the contract? Hollywood is definitely racist, but that one complaint seems like a very easy fix. If they can write in specific requests down to a certain type of bottle water, surely rhey can write in a proper barber. |
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It's called aging out. He is a Gen X actor who had a prime in the 2000s.
He's also made a ton of really, reallllllllly bad movies. |