
There’s an app. |
Summary? |
I mean it was a stronger case than Baldoni’s and she still lost. Whoever is claiming here that Baldoni has a great defamation claim doesn’t know what they are talking about. And we do know what Baldoni’s evidence was because he put it in his complaint. The idea discovery will uncover some NYTimes animus towards him is just silly. |
So Blake and Ryan are stupid egomaniacs who muscled this guy’s control, credit and profit of this movie (and sequel?) away from him — using every shameless trick in the book and even Taylor Swift to do it?
This couple is trash. |
That Palin case was not strong at all. You’re just plain wrong. We don’t know all the evidence at all. It seems that a number of people think Baldoni and his side have a good case, including law professors, experts etc. Not sure if you’re a pro Blake person and just want to shut down anything potentially positive for Jason, but it’s sort of comical how wrong you are |
Here's how the text/voicemail exchange over the roof scene she wrote reads to me: - she sent him the scene and either got a slow or lukewarm response, felt ignored - so she advocated for it more, including having her husband and Swift advocate, which I think she honestly viewed as having other artists who she thinks he might respect give their stamp if approval - but he reads this as very threatening and becomes angry at her for "using" Reynolds and Swift to pressure him - so she goes into over-explaining mode to try and explain that's not how she meant it, but at this point the conflict was set This whole thing about "he was trying to rein her in" or "she was overstepping" doesn't really make sense to me. This is a debate between creatives about their joint project. They both have leverage. I tend to agree with Lively's approach because I think she's right -- if you are a creative professional and you want a say in your art, you need to advocate for yourself and lean on your network to help. I see nothing wrong with what she did AND I think the degree to which Baldoni/Wayfarer felt threatened by it to be eyeroll inducing. They wanted an actress who would say her lines and hit her marks and nothing more, but they hired someone with a high profile who is more ambitious than that. They are just some tiny studio has only ever made very small movies. It just comes off as Baldoni feeling threatened by a woman who views herself as his equal, and trying to put her in her place but in a passive aggressive way so that he doesn't appear to be doing that. I don't know if that's "sexual harassment", maybe not. I do think it shows him to be small and insecure. |
Dude, it’s March 2026. Not 2025 |
The thing that’s crazy is that HE is the director. He can collaborate but the buck stops with him. They are not co- directing! Would she be this way with Martin Scorsese if he was directing? Hell no! The problem from the beginning was she wanted to star but didn’t respect or trust him as a director and tried to take the reins when she perceived the project going off the rails. He was trying to keep her happy and play ball but it has turned into a big mess. His mistake was not setting clear boundaries. |
She was the actress and he was the director. She involved two very high profile people in order to steamroll his directorial vision. This is intimidating and out of line. If she were truly his equal, she would have stayed in her lane and respected his direction and done her job. I think Baldoni seems insufferable based on all his annoying ramblings, but to me she is wrong on this point. |
She had a new baby she was breastfeeding. Not uncommon to be up multiple times during the night. |
I was reading something unrelated about directors and how most actors like a director who really takes charge and who clearly directs and who doesn't look for feedback.
Given how wishy washy and weak as a director Baldoni comes across in these texts and calls, I would say his directing days are over. He could still act again. Wayfarer has a few other projects still underway. Lively has a A Simple Favor 2 with Anna Kendrick coming out. It will be interesting to see how those go. |
I think I’m done trying to figure out whose narrative makes more sense. I’ll wait for the trial! My money is on him losing, though, because I don’t necessarily think it will matter whether SH did or did not occur here. Nobody’s going to want to say you can go after a woman who says she feels uncomfortable on set. (Even if the only issue is she was uncomfortable doing intimate scenes with him because she dislikes his personality.) I guess the only question I have is if her list of demands to Wayfair constituted a SH claim. Since one of the demands was “no retaliation” and they signed that, maybe it doesn’t matter?? They said they wouldn’t retaliate, and they did?
In light of all that, can he even win? |
She was also an executive producer. |
That title was added towards the end when she created her own cut. |
According to the Baldoni claim, she was an EP from the beginning. |