Anonymous wrote:Anonymous wrote:I will just say it... private school music programs aren't great. No matter how much they tried to pitch how great they were, as soon as we went to concerts as a visiting student, we knew. The schools are too small to draw a big enough talent pool to work with. The top publics are usually better for this. My dd attends private and the orchestra is lead by a great person, but there just aren't enough people to form an entire orchestra that is high level.
I'm completely OK with that. The goal is to have my kid get to play. I don't mind if some of his classmates are newer to the instrument or significantly better than my kid. If they are getting some experience and having a good time, that's great. If he went to a school that wouldn't let him be a part of it because he wasn't good enough, that would be a huge loss. This is a time of life to try things and have fun.
Anonymous wrote:No, the girls are the talent and your comment was unkind.
Anonymous wrote:I will just say it... private school music programs aren't great. No matter how much they tried to pitch how great they were, as soon as we went to concerts as a visiting student, we knew. The schools are too small to draw a big enough talent pool to work with. The top publics are usually better for this. My dd attends private and the orchestra is lead by a great person, but there just aren't enough people to form an entire orchestra that is high level.
Anonymous wrote:Anonymous wrote:This is good to hear. The Fall production was bad. Spring musical was better (meaning there was some clear talent) but there seems to be some direction missing. Also, please fix the sound! There is no reason a school of that caliber with a healthy annual tuition has all of that crackling, static and popcorn noise. Even if the production was good, it is hard to hear. We noticed this during both productions. So a new sound system would be fantastic!
Visi moms. Classy all the way. As always.
Anonymous wrote:This is good to hear. The Fall production was bad. Spring musical was better (meaning there was some clear talent) but there seems to be some direction missing. Also, please fix the sound! There is no reason a school of that caliber with a healthy annual tuition has all of that crackling, static and popcorn noise. Even if the production was good, it is hard to hear. We noticed this during both productions. So a new sound system would be fantastic!
Anonymous wrote:Word is circulating that there are four finalists who are being narrowed-down. Apparently some of the girls are experiencing sample classes. I'm guessing they will have a slimmed-down but higher-quality program. Anything will be an upgrade from the current program. They need to clean house.
Anonymous wrote:The job listing is for one position that would be in charge of both music and theater. This is not in line with what other similar schools have. Many have multiple faculty members in these roles - theater director, choir director, theater tech director, etc. Don’t get your hopes up for big change with this kind of minimal staffing. One person can only do so much.
Anonymous wrote:I will just say it... private school music programs aren't great. No matter how much they tried to pitch how great they were, as soon as we went to concerts as a visiting student, we knew. The schools are too small to draw a big enough talent pool to work with. The top publics are usually better for this. My dd attends private and the orchestra is lead by a great person, but there just aren't enough people to form an entire orchestra that is high level.