Anonymous wrote:Anonymous wrote:Read the New York Times every day, The Atlantic, and the New Yorker. You can add to that list but that would get you a long way.
This is good advice. I grew up middle class and pretty broke in the Midwest. My parents longed for a different life and we got the Sunday NYT, the Atlantic and the New Yorker at home. This was back in the heyday of magazines so we also had stacks of fashion magazines and Vanity Fair. We also watched CBS Sunday Morning before church. That all gave me a glimpse into a different world and the ability to slip into college and my first job in NYC with a little bit of camouflage.
Nowadays culture is so driven by money that I would only bother because you want your kids to know and learn, not because you want to equip them to be part of certain worlds. Those worlds are mostly gone.
Anonymous wrote:Being an intellectual requires a high IQ to being with. The “cultured” part isn’t so much about consumption (who can afford Broadway) as it is about gaining in-depth knowledge of the arts and in some cases being an artist. Generally it means forgoing the high-money careers (Ibanking, big law) in favor of much lower paying jobs. That means the actual intellectual cultured set is very small in NYC and sort of a double peak - lots of younger people, then a much smaller number of people who are arts or academic stars.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Culture is cultivated, not taught in schools. Likewise, children have to want to cultivate it or it won't really take.
+1
Culture is bred into you - you can not artificially create it.
You’re quoting me and that’s decidedly NOT what I meant. I’m cultured despite growing up in an uncultured household because of my personal interests. In contrast people who were “bred” to be cultured (ew) don’t necessarily take it up.
Anonymous wrote:Geez, I am a PP and some people are being weirdly hostile about this benign question. And I actually am a New Yorker, so theoretically I should be the nastiest person on this thread!
I think it’s an interesting question.
Especially because (in my opinion) “culture” is not a monolith and is ever evolving. It’s particularly interesting to me because there have been tectonic shifts in the culture of my profession (medicine) in the last 25 years or so, which has been fascinating (and sometimes distressing) to observe.
I have often wondered how some cultural touchstones endured, while others fell out of favor over time. For instance, the idea of a “NY intellectual” persists from the 70’s and 80’s. I think is no longer culturally relevant or influential (at least in my circles in NYC), but clearly lots of people disagree. Or just find me totally uncultured!
But I do wonder what from the current time will be considered “culture” 100 years from now (assuming some catastrophic event doesn’t end society as we know it). Because if we can’t even agree on a definition, then how do we seek it out?
Anonymous wrote:Many many of the NY intellectuals did not originate in NY. They came to NY to succeed because they were smart and ambitious. Susan Sontag grew up in the Arizona desert; Harold Ross (founder of the New Yorker) was from the Midwest; most of the artists produced & published in NYC and writers live or are from elsewhere.
Anonymous wrote:Anonymous wrote:Culture is cultivated, not taught in schools. Likewise, children have to want to cultivate it or it won't really take.
+1
Culture is bred into you - you can not artificially create it.
Anonymous wrote:Read the New York Times every day, The Atlantic, and the New Yorker. You can add to that list but that would get you a long way.
Anonymous wrote:There's been a fairly significant intellectual shift in American culture that steers away from the idea of "high" art towards a consumer culture. Some parts of that are good as intellectual cultural stuff can get ridiculous. Some parts are bad because populist stuff can just be kitsch, or worse, propaganda that Americans have lost the critical thinking skills to recognize.
One thing that strikes me a lot when I think about this is my grandmother and her wall of Harvard classics, her modern art prints on the wall of her tiny home in central California. In her day there was the sense that culture and art were for the Everyman and were, as you're suggesting "improving." While I think there's a lot of art that was made in the 20th with that rubric that's not good art, the concept itself is one that's important. Art is improving. A society needs common touchstones, common emotional experiences, common metaphors, etc. Without that I worry we're going to turn into a nation of people with long guns in Walmart.