Anonymous wrote:
Anonymous wrote:Anonymous wrote:Huh.
I wonder if this is why schools often put on plays that are kinda old? Maybe they are in the public domain?
I'm not sure they ever reach public domain status, but yes, the rights are easier/cheaper to get.
Anonymous wrote:Huh.
I wonder if this is why schools often put on plays that are kinda old? Maybe they are in the public domain?
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Another huge debacle at SWW…at this point are they just rearranging the deck chairs on the Titanic?
Ah, the DCUM Walls hater strikes again. At what point does this topic turn to "bring back the entrance exam" and/or "BASIS is so much better"?
OK, but back on topic: I really think the school could have found *something* to perform, now that they've got a cast and everything. These kids have got to be super disappointed.
I think having the kids write their own show, which a PP mentioned, is a great idea!
There are TONS of shows available for which they could easily secure the rights. This is a huge cop-out.
That said, have they tried having the kids write a letter with a heart felt plea to the rights holder and/or whatever theatre company is blocking the rights? Ultimately it's a public school not even focused on the arts; this is not competition for a professional show (if anything, in my experience, it drums up more interest in a "real" version of the show among the school community). Have they really, really pushed to see if there's anything they could do/any kind of agreement they could reach (e.g., not advertising outside of their school community, not charging for tickets, whatever the company's concern is?)? I have been in a similar situation where we reached an agreement pretty easily.
Most of the schools applying for rights are also public schools. There are rules, a process, and everybody plays by them. We are talking about intellectual property rights. If these kids what to be in theater, they are going to want their own rights protected someday too. This is a good lesson, though also a complete bummer.
Actually I'd guess the majority of schools paying as much as Hadestown's Teen version costs are not public schools. They are private schools and youth theatres. Also, Hadestown teen is not available in some geographic areas because of professional production exclusivity issues, which may be the issue here. If the issue is a local production blocking access, they can waive their exclusivity. I've been in this world for awhile and I'm telling you that it is possible to come to a unique agreement a lot of the time. It's definitely worth a try.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:There has to be more to this story. If you have $$ you can license a show.
Walls parents would absolutely contribute money to make it happen.
Word is that the "more to this story" is that the Walls principal is completely unsupportive and her office dropped the ball here.
Unsupportive of this play, unsupportive of the theater program or unsupportive in general? We’re new, but so far, I’m not impressed with her.
She is unimpressive overall - we are happy enough with the school, but so SO underwhelmed with her
Anonymous wrote:Anonymous wrote:Anonymous wrote:There has to be more to this story. If you have $$ you can license a show.
Walls parents would absolutely contribute money to make it happen.
Word is that the "more to this story" is that the Walls principal is completely unsupportive and her office dropped the ball here.
Unsupportive of this play, unsupportive of the theater program or unsupportive in general? We’re new, but so far, I’m not impressed with her.
Anonymous wrote:Anonymous wrote:Anonymous wrote:There has to be more to this story. If you have $$ you can license a show.
Walls parents would absolutely contribute money to make it happen.
Word is that the "more to this story" is that the Walls principal is completely unsupportive and her office dropped the ball here.
Unsupportive of this play, unsupportive of the theater program or unsupportive in general? We’re new, but so far, I’m not impressed with her.
Anonymous wrote:Anonymous wrote:There has to be more to this story. If you have $$ you can license a show.
Walls parents would absolutely contribute money to make it happen.
Word is that the "more to this story" is that the Walls principal is completely unsupportive and her office dropped the ball here.
Anonymous wrote:There has to be more to this story. If you have $$ you can license a show.
Walls parents would absolutely contribute money to make it happen.
Anonymous wrote:Anonymous wrote:The school musical was announced, and there were auditions and casting. And then it got canceled. They said that the school didn't get rights to the musical. How did this happen?
Walls is an academic focused school. It does not offer competitive sports teams or a large arts program. There are other DC schools that do. Get over it people.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Another huge debacle at SWW…at this point are they just rearranging the deck chairs on the Titanic?
Ah, the DCUM Walls hater strikes again. At what point does this topic turn to "bring back the entrance exam" and/or "BASIS is so much better"?
OK, but back on topic: I really think the school could have found *something* to perform, now that they've got a cast and everything. These kids have got to be super disappointed.
I think having the kids write their own show, which a PP mentioned, is a great idea!
There are TONS of shows available for which they could easily secure the rights. This is a huge cop-out.
That said, have they tried having the kids write a letter with a heart felt plea to the rights holder and/or whatever theatre company is blocking the rights? Ultimately it's a public school not even focused on the arts; this is not competition for a professional show (if anything, in my experience, it drums up more interest in a "real" version of the show among the school community). Have they really, really pushed to see if there's anything they could do/any kind of agreement they could reach (e.g., not advertising outside of their school community, not charging for tickets, whatever the company's concern is?)? I have been in a similar situation where we reached an agreement pretty easily.
Most of the schools applying for rights are also public schools. There are rules, a process, and everybody plays by them. We are talking about intellectual property rights. If these kids what to be in theater, they are going to want their own rights protected someday too. This is a good lesson, though also a complete bummer.
Anonymous wrote:Anonymous wrote:Anonymous wrote:The school musical was announced, and there were auditions and casting. And then it got canceled. They said that the school didn't get rights to the musical. How did this happen?
Walls is an academic focused school. It does not offer competitive sports teams or a large arts program. There are other DC schools that do. Get over it people.
Somehow TJ manages to do both and spends less per pupil so, not sure why Walls doesn’t and can’t offer something besides total incompetence. They can’t even make the normal excuse for DC, which is that the student body is hopeless.