Anonymous wrote:Anonymous wrote:Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
But how does it hurt you? I mean, ignore it, don't buy it, don't go to exhibitions, you'll be fine. There are plenty of contemporary artists who work in conventional, traditional ways. Support them. Go to their gallery openings. Buy their art. Post about them on social media. Ignore what you don't like and we're all good. No need to artificially draw a line. Just choose what you like. No need to censor others because you don't like it.
Nobody's censoring anybody, PP.
Anonymous wrote:A lot of contemporary art I could do, yes. The overly Complicated masterpieces and what not? No. I was in complete awe at the Vatican that someone had that kind of talent.
Anonymous wrote:Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
But how does it hurt you? I mean, ignore it, don't buy it, don't go to exhibitions, you'll be fine. There are plenty of contemporary artists who work in conventional, traditional ways. Support them. Go to their gallery openings. Buy their art. Post about them on social media. Ignore what you don't like and we're all good. No need to artificially draw a line. Just choose what you like. No need to censor others because you don't like it.
Anonymous wrote:Anonymous wrote:Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
Where have you seen/heard this? (other than parodies of the art world)
Glenstone has several rooms right now filled with nothing but colored panels. A canvas painted red, another black, another green, etc. They're just titled that too, "red panel." Very little detail on what it's supposed to mean and no there isn't texture or anything besides just the application of paint on canvas. It's worth checking out. I'm not generally skeptical and like modern art but this felt like a joke.
Anonymous wrote:Inspired by that thread about menu items in restaurants, I've heard this about art on museum and gallery walls.
Is it low class, or unaware or uneducated? Or maybe it's a perfectly normal response to contemporary abstract art.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
Where have you seen/heard this? (other than parodies of the art world)
Glenstone has several rooms right now filled with nothing but colored panels. A canvas painted red, another black, another green, etc. They're just titled that too, "red panel." Very little detail on what it's supposed to mean and no there isn't texture or anything besides just the application of paint on canvas. It's worth checking out. I'm not generally skeptical and like modern art but this felt like a joke.
Maybe it is a joke. Maybe not. But if you’re telling us it’s worth checking it out, it made an impression on you.
That’s Cy Twombly and his works go for millions.
Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Re: some modern art, it's understandable and likely true.
+1
Yup. I saw a news report about a preschool aged kid who is selling paintings for thousands each. They are no different than what any little kid can paint and I truly don't understand why people are shelling out thousands for a painting.
You don’t understand art history. It’s okay—a lot of people don’t.
I do find bragging about it odd.
That is okay. A lot of people brag about things they don't understand, especially in politics.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
Where have you seen/heard this? (other than parodies of the art world)
Glenstone has several rooms right now filled with nothing but colored panels. A canvas painted red, another black, another green, etc. They're just titled that too, "red panel." Very little detail on what it's supposed to mean and no there isn't texture or anything besides just the application of paint on canvas. It's worth checking out. I'm not generally skeptical and like modern art but this felt like a joke.
Maybe it is a joke. Maybe not. But if you’re telling us it’s worth checking it out, it made an impression on you.
Anonymous wrote:Anonymous wrote:Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
Where have you seen/heard this? (other than parodies of the art world)
Glenstone has several rooms right now filled with nothing but colored panels. A canvas painted red, another black, another green, etc. They're just titled that too, "red panel." Very little detail on what it's supposed to mean and no there isn't texture or anything besides just the application of paint on canvas. It's worth checking out. I'm not generally skeptical and like modern art but this felt like a joke.
Anonymous wrote:Anonymous wrote:I’m highly educated and even studied the humanities more than the average person I come across.
There’s a lot of art and a lot of art commentary that is absolutely vapid. The people who fawn over this subculture and create an air of importance and prestige around this art should be ridiculed more than they are.
I like art, I like modern art, and I appreciate a wide array of art that may not be everyone’s cup of tea. But there has to be a line drawn somewhere and the breathless descriptions of the genius of a paint splatter or a black line across a canvas deserve nothing. It is a grift.
Where have you seen/heard this? (other than parodies of the art world)
Anonymous wrote:There's a textile art exhibit up right now. Technique-wise, I can do a lot of what I saw there, because that's my job (though if you were to ask me to paint you a picture of it, I couldn't, even to save my life.)
The thing that makes it art isn't always the technique. It's the process (pollack), the environment in which the artist created the piece (ai weiwei), the narrative story behind the work (Mark Bradford's "Pickett's Charge" jumps to mind, but all art has a story), the time invested and what the artist missed to devote that time/energy to the work...
People saying "I can do that too" out loud in museums are probably either trying to sound important/cool, or having a tough time relating to the work(s) on display. Neither is a good look.