Anonymous wrote:Anonymous wrote:I would echo this question and include URM students. We were discussing this at Christmas dinner with a family member who also said their Ivy was mostly rich white kids and Asian students.First generation college student, and pell grant eligible are both very valuable hooks right now. I keep hearing that. But DS freshman at an Ivy is surrounded by rich white kids. Which schools are upping their numbers considerably for the first gen and/or Pell student?
Every top 25 school but numbers are so low to begin with, even substantial increases on small numbers is still relatively small numbers.
Anonymous wrote:I would echo this question and include URM students. We were discussing this at Christmas dinner with a family member who also said their Ivy was mostly rich white kids and Asian students.First generation college student, and pell grant eligible are both very valuable hooks right now. I keep hearing that. But DS freshman at an Ivy is surrounded by rich white kids. Which schools are upping their numbers considerably for the first gen and/or Pell student?
Anonymous wrote:Anonymous wrote:it can be if the instrument they play is the instrument the band or orchestra needs and they are the best that is interested in the schoolAnonymous wrote:Are specific instruments really a hook? My kid is very good at a difficult instrument (Interlochen, regional orchestras) but it was my impression this wouldn't matter for admissions (or at least wouldn't matter more than any other activity to show he has dedication and outside interests).
I have professional musicians and band directors in my family and they say this is a decades-old canard. It is not been true outside of the conservatory/school of music world.
Anonymous wrote:Anonymous wrote:I would echo this question and include URM students. We were discussing this at Christmas dinner with a family member who also said their Ivy was mostly rich white kids and Asian students.First generation college student, and pell grant eligible are both very valuable hooks right now. I keep hearing that. But DS freshman at an Ivy is surrounded by rich white kids. Which schools are upping their numbers considerably for the first gen and/or Pell student?
That was our observation at a couple campuses DD was admitted to as well.
I find it strange that some are so purist about hooks, and that they go to race first. A hook is whatever the college wants to fill the class. The problem is knowing what they want! Mine loves her art and earned national acclaim. I would say that functioned as a hook for her.
Anonymous wrote:I would echo this question and include URM students. We were discussing this at Christmas dinner with a family member who also said their Ivy was mostly rich white kids and Asian students.First generation college student, and pell grant eligible are both very valuable hooks right now. I keep hearing that. But DS freshman at an Ivy is surrounded by rich white kids. Which schools are upping their numbers considerably for the first gen and/or Pell student?
I would echo this question and include URM students. We were discussing this at Christmas dinner with a family member who also said their Ivy was mostly rich white kids and Asian students.First generation college student, and pell grant eligible are both very valuable hooks right now. I keep hearing that. But DS freshman at an Ivy is surrounded by rich white kids. Which schools are upping their numbers considerably for the first gen and/or Pell student?
Anonymous wrote:"Hook" is a dog whistle. A "URM" with a 1510 SAT, IB diploma, and 4.6 weighted GPA can be safely sneered at and dismissed by other students and families from the moment they start receiving acceptance letters and, frankly, dismissed their whole life during and after college.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:it can be if the instrument they play is the instrument the band or orchestra needs and they are the best that is interested in the schoolAnonymous wrote:Are specific instruments really a hook? My kid is very good at a difficult instrument (Interlochen, regional orchestras) but it was my impression this wouldn't matter for admissions (or at least wouldn't matter more than any other activity to show he has dedication and outside interests).
I have professional musicians and band directors in my family and they say this is a decades-old canard. It is not been true outside of the conservatory/school of music world.
Disagree. Selingo talks about this in "Who Gets in and Why." He worked with various AOs. It is a thing.
Thanks! Here's hoping Northwestern needs a French horn player in a couple years!
GL. I’ve read Selingo’s books and talked with him when he came to the area. Regarding the so-called hook of instruments, I’ll take the intel of my relatives who, together, know dozens of university band directors.
Anonymous wrote:Anonymous wrote:But to answer the question, for some lesser known schools, being a legacy (but not giving money) might be an advantage (stats otherwise being acceptable) because the school thinks perhaps admission may make you give more money.
But in general for the more elite schools, yes, they want to see substantial giving. A history of it. Seven figures or a building-sized gift.
Being a legacy but not giving money can help at MANY schools, not just lesser known ones. The case against Harvard revealed that the legacy admission rate was above 30%.
OK, but my high-stats kid was applying to Harvard and got a soft rejection. We were told seven figures. We gave - oh - maybe 1 figure
Anonymous wrote:Anonymous wrote:Is there a percentage of dna needed to qualify for urm ?
25%. you need to have it lab certified.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:it can be if the instrument they play is the instrument the band or orchestra needs and they are the best that is interested in the schoolAnonymous wrote:Are specific instruments really a hook? My kid is very good at a difficult instrument (Interlochen, regional orchestras) but it was my impression this wouldn't matter for admissions (or at least wouldn't matter more than any other activity to show he has dedication and outside interests).
I have professional musicians and band directors in my family and they say this is a decades-old canard. It is not been true outside of the conservatory/school of music world.
Disagree. Selingo talks about this in "Who Gets in and Why." He worked with various AOs. It is a thing.
Thanks! Here's hoping Northwestern needs a French horn player in a couple years!