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Anonymous wrote:

Anonymous wrote:Bottom line - Matty does not want to be Mr. Taylor Swift.

He doesn't. However, he brought her up continuously in interviews/podcasts over the 10 years leading up to TTPD. He definitely has an obsession with her too.

Agreed it's not one-sided but it's like they both don't actually want each other, they want a version of each other that doesn't exist. She wants a version of him that is 100% politically correct and at all times behaves in alignment with her billion-dollar brand (while simultaneously being wild and exciting?) and he wants a version of her that would prioritize her connection with the real him over her billion-dollar brand.

Multiple songs on TTPD addressed she didn’t care if he was politically correct. The “elders down at the city hall” and the “Sarahs and Hannahs” did, however.

She doesn't have to care what they think, though. She has plenty of money. She is the one choosing to put her brand first.

Did you miss the part where he is the Smallest Man Who Ever Lived because he ghosted her?

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:Bottom line - Matty does not want to be Mr. Taylor Swift.

He doesn't. However, he brought her up continuously in interviews/podcasts over the 10 years leading up to TTPD. He definitely has an obsession with her too.

Agreed it's not one-sided but it's like they both don't actually want each other, they want a version of each other that doesn't exist. She wants a version of him that is 100% politically correct and at all times behaves in alignment with her billion-dollar brand (while simultaneously being wild and exciting?) and he wants a version of her that would prioritize her connection with the real him over her billion-dollar brand.

Multiple songs on TTPD addressed she didn’t care if he was politically correct. The “elders down at the city hall” and the “Sarahs and Hannahs” did, however.

She doesn't have to care what they think, though. She has plenty of money. She is the one choosing to put her brand first.

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:Bottom line - Matty does not want to be Mr. Taylor Swift.

He doesn't. However, he brought her up continuously in interviews/podcasts over the 10 years leading up to TTPD. He definitely has an obsession with her too.

Agreed it's not one-sided but it's like they both don't actually want each other, they want a version of each other that doesn't exist. She wants a version of him that is 100% politically correct and at all times behaves in alignment with her billion-dollar brand (while simultaneously being wild and exciting?) and he wants a version of her that would prioritize her connection with the real him over her billion-dollar brand.

Multiple songs on TTPD addressed she didn’t care if he was politically correct. The “elders down at the city hall” and the “Sarahs and Hannahs” did, however.

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Anonymous wrote:

Anonymous wrote:

Anonymous wrote:He’s ugly, whiny, clearly a homosexual, and his mum is a no talent actress, and also, an insufferable and thirsty attention seeker.

I find him beautiful, smart, and talented. There is a reason why the cool girls in the music and modeling worlds have all wanted him at one point or another.

I didn’t even know this guy existed until Taylor.
Now I love the 1975. The fact that they were each others muse for decades makes me wonder if they’ll be able to replicate that passion in future music. It’s lightening in a bottle and they’ve been outed. It will never be the same. This has been going on since 1989 where Taylor and Matty collaborated on Slut! which went to the vault. Every album since then is all Matty coded.

Same. I run marathons and am always looking for new music to listen to while I train. I discovered The 1975 after TTPD too. They are cool and have many catchy songs. Matty writes hilarious yet very interesting and meaningful lyrics. Occasionally he sounds pretentious, but he is a brilliant lyricist and probably knows it too.

I went back and re-listened to all of Taylor’s discography and looked for the clues. I now understand and appreciate her ability to write haunting lyrics with double meanings and swirl a secret love into her poems. I am sure it was obvious to him that her songs were written for him, while the general public remained oblivious.

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:Bottom line - Matty does not want to be Mr. Taylor Swift.

He doesn't. However, he brought her up continuously in interviews/podcasts over the 10 years leading up to TTPD. He definitely has an obsession with her too.

Agreed it's not one-sided but it's like they both don't actually want each other, they want a version of each other that doesn't exist. She wants a version of him that is 100% politically correct and at all times behaves in alignment with her billion-dollar brand (while simultaneously being wild and exciting?) and he wants a version of her that would prioritize her connection with the real him over her billion-dollar brand.

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:He’s ugly, whiny, clearly a homosexual, and his mum is a no talent actress, and also, an insufferable and thirsty attention seeker.

I find him beautiful, smart, and talented. There is a reason why the cool girls in the music and modeling worlds have all wanted him at one point or another.

I didn’t even know this guy existed until Taylor.
Now I love the 1975. The fact that they were each others muse for decades makes me wonder if they’ll be able to replicate that passion in future music. It’s lightening in a bottle and they’ve been outed. It will never be the same. This has been going on since 1989 where Taylor and Matty collaborated on Slut! which went to the vault. Every album since then is all Matty coded.

Anonymous wrote:

Anonymous wrote:

Anonymous wrote:Bottom line - Matty does not want to be Mr. Taylor Swift.

He doesn't. However, he brought her up continuously in interviews/podcasts over the 10 years leading up to TTPD. He definitely has an obsession with her too.

Agreed it's not one-sided but it's like they both don't actually want each other, they want a version of each other that doesn't exist. She wants a version of him that is 100% politically correct and at all times behaves in alignment with her billion-dollar brand (while simultaneously being wild and exciting?) and he wants a version of her that would prioritize her connection with the real him over her billion-dollar brand.

Anonymous wrote:

Anonymous wrote:Bottom line - Matty does not want to be Mr. Taylor Swift.

He doesn't. However, he brought her up continuously in interviews/podcasts over the 10 years leading up to TTPD. He definitely has an obsession with her too.

Anonymous wrote:Bottom line - Matty does not want to be Mr. Taylor Swift.

Anonymous wrote:

Anonymous wrote:

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Anonymous wrote:Don’t buy it. Joe dumped her so she after the fact is implying all these songs were about the person she dumped. She has never maintained interest in one man long enough for Matty to have inspired so much over such a long time period.

Joe didn't dump her. She left him because he was a depressed man, and apparently very boring. She missed the fire and butterflies she felt with Matty Healy (“my wild boy and this wild joy”), so she ran to him straight out the slammer. Matty did dump her however because he couldn’t deal with her crazy fans and all the PR bs that comes with her.
Yes, she was seeing him behind the scenes all those years. On and off. And writing about him, a lot.

Joe quiet quit. Couldn’t have been that boring and inconsequential since she wrote with him and wrote, at a minimum, invisible string and getaway car about him.

She basically dumped Matty by doing all the PR BS rather than backing him.

Taylor's brand will always come first. Whoever she's with will have to accept that. Travis accepts it (embraces it, even). Matty didn't or couldn't (and to be clear, I'm not saying he should).

Agree with this. That’s why I personally think Travis is a great match for her.

I guess in that way. But she's got to talk to him (about what?!) every day for the rest of her life. UGH

THIS is what I can not imagine. How she goes from deep conversations with another artist over writing lyrics, favorite musicians, music theory, guitar riffs and piano chords to….football? See the lyrics to Maroon and The Tortured Poets Department both widely accepted to be about Matty. Long nights, deep conversations, lots of red wine and chocolate. Travis has a lot of charisma but let’s face it, he is skin deep, a total dork and not very bright. They have zero in common. Not her intellectual equal. She’s going to lose her mind in boredom if she marries him.

She seems to crave the fire and the passion and the drama of sneaking around with the “forbidden fruit” which makes for great music but not so much for a healthy LTR.

+1. She definitely craves passionate love and butterflies and drinking wine all night while pontificating and writing. Half her songs are about that.
I don’t think she wrote this for Matty, but it’s pretty telling about how she views love:

He respects my space
And never makes me wait
And he calls exactly when he says he will
He's close to my mother
Talks business with my father
He's charming and endearing
And I'm comfortable

He can't see the smile I'm faking
And my heart's not breaking
'cause I'm not feeling anything at all
And you were wild and crazy
Just so frustrating, intoxicating, complicated
Got away by some mistake and now

I miss screaming and fighting and kissing in the rain
It's 2 a.m. and I'm cursing your name
I'm so in love that I acted insane
And that's the way I loved you
Breaking down and coming undone
It's a roller coaster kind of rush
And I never knew I could feel that much
And that's the way I loved you.

👀

she wrote that in 2008 at age 19. You don’t think her views on love and experiences have evolved in her 20s and 30s ?