Anonymous wrote:Anonymous wrote:But, but...how can he hear that guy go on about the refridgerator and how people loved him all along but just didn't show it exactly the way he wanted - and then NOT go home to his daughter?
He needs to help his daughter. It's crap that he doesn't.
I think he did go home, and then he made that Coke ad. But Don had to wait until people were leaving, at the end of the week, to get back home, and during that time, he found peace. At least that's what I'd like to believe.
Anonymous wrote:This show was always written in carefully crafted haiku.
I always saw the whole show as a metaphor for the U.S. in the 20th century. Don emerges from the depression era, pulls himself up by his own bootstraps, cheats a little, but still very much self made. Gets himself out of the depression (his home of origin) into his new re-invented life of prosperity - in the same time frame as did the U.S. - post-war boom, cigarettes, the automobile, civilian/passenger air travel - all of it. Dawdles a little in the hippie life, but returns to full-throttle thrust ahead american motivation. Just like the U.S., the tawdry past is never far away-- his / our closet full of skeletons. A 20th-century coming-of-age metaphor.
Yes I was an english major.
Anonymous wrote:Anonymous wrote:Btw, why were there halloween decorations all over - on peggy's octopus painting, on joan's refrigerator, etc.
That will be analyzed for decades. And will never be fully understood.
Anonymous wrote:Anonymous wrote:Btw, why were there halloween decorations all over - on peggy's octopus painting, on joan's refrigerator, etc.
That will be analyzed for decades. And will never be fully understood.
Anonymous wrote:Btw, why were there halloween decorations all over - on peggy's octopus painting, on joan's refrigerator, etc.