Anonymous wrote:Anonymous wrote:Your child is brave enough to audition for a school play something a large percentage of students wouldn't try. In that context how anxious could your child be? Why would you email the director instead of celebrating with your child?
Good point right here
Anonymous wrote:Your child is brave enough to audition for a school play something a large percentage of students wouldn't try. In that context how anxious could your child be? Why would you email the director instead of celebrating with your child?
Anonymous wrote:Anonymous wrote:Anonymous wrote:As a mom of a theater kid with anxiety, I can assure you that MANY theater kids have anxiety and many of them perform not as well at auditions due to nerves. My dd doesn’t have anxiety during a show after months of rehearsals, but auditions are terrible for her. You know what helped? Doing more auditions. Preparing. Getting older.
If your daughter knows you told the director about the 504, she might not feel that she actually earned a spot. Don’t take that away from her. Maybe she’ll be small parts for now, ensemble roles, background, tech crew. If she thinks she got a pity role or mommy intervened, it may not help her manage her anxiety, it may do the exact opposite of what you hope for.
Excellent points. Anxiety is not treated with accommodation.
Accommodations aren’t treatments for any condition. They are tools that help people access environments and activities.
Anonymous wrote:Accommodation explicitly does *not * mean adjusting standards. Even if someone gets from X to Z by using different tools or different amounts of time, they are supposed to be evaluated on Z, not Y. I have students with accommodations for spelling, for example, but that does not mean they are allowed to not write in full sentences or to not finish a paper.
Let's say for the sake of argument that this is for a theater *course,* so the 504 applies. Accommodation during an audition might look like an extra 10 seconds for the student to breathe deeply and drink a sip of water between excerpts. Or it might look like being auditioned before only the selection committee and not the whole bunch of other kids who are waiting their turn. It would not, however, look like casting a person whose audition did not demonstrate that they could perform the part to the standard required by the production.
Anonymous wrote:Anonymous wrote:jAnonymous wrote:Isn’t the school play an extracurricular activity if the daughter isn’t taking it as a class? I don’t think 504s cover extracurricular activities.
If it happens at school or on the school bus, even if it is before, after or during lunch, it is/can be covered by a 504. For example, a school play director might give a child more time to learn lines, let them use a small cue card for longer than others, direct them to an audio recording of the play, etc.
Why is it covered by a 504? It's happening on school property, with the support of school personnel.
https://www.wrightslaw.com/info/sec504.afterschool.crabtree.htmlf
The only question in the 504 scenario is what constitutes a "reasonable accommodation"?
At a certain point you are going to burn yourself and your child and the school staff out if you insist on everything being a federal case. Yes I do believe that extracurriculars should be sensitive to SN but if you’re having to wave the 504 around you might need to stop for a minute and reflect on whether the activity is a good fit.
Anonymous wrote:every child is nervous when auditioning, trying out for a sport, etc. this is developmentally appropriate. It is not in any kids best interest for a parent to try to snowplow a situation like this. Let your child experience failure