Anonymous wrote:I really liked this season and the episode just before the break (the staircase scene, etc) but I thought this second half was so disappointing. The chemistry wasn't there, the jail and courtroom scenes were ridiculous, neither lead was appealing (Benedict is like an overgrown teenager and mopey, Sophie has zero personality). Sigh. I had high hopes.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Well, it’s over. It was an ok season. But I really, really miss the fire of Jonathan Bailey’s “And it is not far enough!” monologue. We need more unhinged yearning like that! Benedict yearned, but like….politely? Not sure how to say it. It was cute, but not fiery.
Agree. But I enjoyed their chemistry. The only thing I was distracted by was how young she appeared in relation to him; he’s very manly and she’s very girlish and during the first few episodes of the first half I just wasn’t feeling it but the acting was very good and I was eventually immersed.
I always found the actress who plays Francesca a bit wooden (maybe by design?) but her acting was great in the second half. I honestly love Lady Danbury, she’s my absolute favorite, with Violet a close second; I cannot keep my eyes away from them when they are on the screen. And I honestly find them sexier than any of the young leads over all the seasons, male or female (I’m a woman).
Lady Danbury is sexy?! I think NOT. lol.
Anonymous wrote:Anonymous wrote:Well, it’s over. It was an ok season. But I really, really miss the fire of Jonathan Bailey’s “And it is not far enough!” monologue. We need more unhinged yearning like that! Benedict yearned, but like….politely? Not sure how to say it. It was cute, but not fiery.
Agree. But I enjoyed their chemistry. The only thing I was distracted by was how young she appeared in relation to him; he’s very manly and she’s very girlish and during the first few episodes of the first half I just wasn’t feeling it but the acting was very good and I was eventually immersed.
I always found the actress who plays Francesca a bit wooden (maybe by design?) but her acting was great in the second half. I honestly love Lady Danbury, she’s my absolute favorite, with Violet a close second; I cannot keep my eyes away from them when they are on the screen. And I honestly find them sexier than any of the young leads over all the seasons, male or female (I’m a woman).
Anonymous wrote:Well, it’s over. It was an ok season. But I really, really miss the fire of Jonathan Bailey’s “And it is not far enough!” monologue. We need more unhinged yearning like that! Benedict yearned, but like….politely? Not sure how to say it. It was cute, but not fiery.
Anonymous wrote:The one thing I am desperately hoping for the end is that they don't handwave Sophie's background and make her perfectly acceptable to marry with no scandal. It's lazy, especially given Benedixt's "I'm so unconventional" vibe. Let's not have the central conflict waved away, let's see him make an actual brave choice for her.
Anonymous wrote:What’s the bathtub scene I keep hearing about?
Anonymous wrote:What’s the bathtub scene I keep hearing about?
Anonymous wrote:What’s the bathtub scene I keep hearing about?
Anonymous wrote:Anonymous wrote:Anonymous wrote:The one thing I am desperately hoping for the end is that they don't handwave Sophie's background and make her perfectly acceptable to marry with no scandal. It's lazy, especially given Benedixt's "I'm so unconventional" vibe. Let's not have the central conflict waved away, let's see him make an actual brave choice for her.
I guess that your hope is unlikely. I think the mother is going to turn out to be a real marriage that was hidden because of some inherited title or something, and the wicked stepmother is going to lose it all (making way for the new couple to live next door to Mom!). And I think Benedict is going to be completely conventional going forward. He's reformed now that he's met THE ONE!
I know this is likely to be the case but it would just be such a lazy choice. They've made Sophie a really appealing character, let's have Benedict prove himself for her. Especially after his "ugh" moment he needs to do some big work.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:I have not read Pamela. A quick google search led me to this description:
Pamela tells the story of a fifteen-year-old maidservant named Pamela Andrews, whose employer, Mr. B, a wealthy landowner, makes unwanted and inappropriate advances towards her after the death of his mother. Pamela strives to reconcile her strong religious training with her desire for the approval of her employer in a series of letters and, later in the novel, journal entries all addressed to her impoverished parents. After various unsuccessful attempts at seduction, a series of sexual assaults and an extended period of kidnapping, the rakish Mr. B eventually reforms and makes Pamela a sincere proposal of marriage.
This doesn’t sound like the Cinderella storyline of Bridgerton at all to me. Kidnapping, sexual assault and she’s only 15. And actually works for Mr. B. Completely different.
Sophie actually works for Mr B here, and he has comported himself inappropriately (trying to get her to be his mistress.) Pamela is considered one the first British novels. So the plot of Season 4 can fairly be said to be a mashup of Cinderella and Pamela, at least in spirit.
Totally disagree. Sophie was originally working for another family. She does not work for Benedict. Benedict’s mother hired her as a favor for Benedict. Benedict has not sexually assaulted or kidnapped her and she’s not 15. These were not unwelcome advances either that she resisted.
Well there’s no fairy godmother or glass slipper so I guess Cinderella cannot be an influence either!
There is the glove she left behind. And the countless interviews with the actors regarding the influence of Cinderella. Not one of them has mentioned Pamela though.
What about Barry Lyndon though![]()
https://ew.com/tv/chris-van-dusen-bridgerton-pop-culture-inspirations/