Anonymous wrote:Anonymous wrote:
Exactly the same feeling. And I also feel a bit duped by the NYT article which was trying to draw a moral equivalency between them. Nope.
Agree. Why did the NYT try to both sides this?
Anonymous wrote:
Exactly the same feeling. And I also feel a bit duped by the NYT article which was trying to draw a moral equivalency between them. Nope.
Anonymous wrote:Anonymous wrote:Main takeaway for me is that Larson is a lazy writer. Even if legally okay, she should’ve asked if she could lift details from Dorland’s life, particularly an act that was so meaningful to her.
I also don’t think Dorland did anything wrong in seeking recognition. Let’s face it, if Larson had donated a kidney and sent the same types of emails, the writing group would’ve praised her. I would certainly acknowledge and thank someone for donating, even if I found them a bit annoying. It’s worthy of recognition. Plus the whole point of publicizing her donation was to encourage others to donate as well.
Not only did they withhold recognition, but Ng literally mocked her for it. She said she “can eff her one kidney” and then went doubled down writing “there is no right to say people can’t write about you and the idiotic shit you do.” Larson seemed to question her use at several points, and NG never took the opening.
See the links of correspondence I posted a few pages back.
Anonymous wrote:Main takeaway for me is that Larson is a lazy writer. Even if legally okay, she should’ve asked if she could lift details from Dorland’s life, particularly an act that was so meaningful to her.
I also don’t think Dorland did anything wrong in seeking recognition. Let’s face it, if Larson had donated a kidney and sent the same types of emails, the writing group would’ve praised her. I would certainly acknowledge and thank someone for donating, even if I found them a bit annoying. It’s worthy of recognition. Plus the whole point of publicizing her donation was to encourage others to donate as well.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Great deep dive into timeline of events!
https://rottenindenmark.org/2021/10/10/identifying-the-bad-art-friend-is-easy/
I like this take and largely agree with him that Sonja starts out as the villain but that Dorland eventually joins her in the mud and you can’t ignore that.
I have a lot of empathy for Dorland because I experienced something somewhat similar a while back, and I cannot describe here how strong that feeling of wanting redemption/revenge is. In my case, the women who hurt me were unquestionably friends, as well as professional colleagues. What they did felt like a deep rejection of me both personally and professionally and it messed me up a lot— I still talk about this situation in therapy years later. Reading Bad Art Friend and threads like this are both triggering and cathartic. I have accepted that this will probably be something that marks me in one way or another for the rest of my life.
So I understand why Dorland went scorched earth in trying to get back at Sonja. I know that feeling of righteous rage so well I can taste it. But the difference between Dawn and I is that I ultimately didn’t go down that road. I had some private fits about it, I demanded loyalty from my closest friends (something I am now both embarrassed by and also still feel was necessary?), but that’s where it ended. I cut those women out of my life, distanced myself from anyone who might support them, and did my best to move on. It sucked! I still fantasize about them getting their comeuppance, and still sometimes check in on them online to see if karma has done any work on my behalf.
But I didn’t sue and I didn’t go public and watching what Dorland is going through now, I am glad I had the sense to move on.
You do know that Dawn countersued, right? That Sonya sued her first.
Anonymous wrote:Anonymous wrote:Question that occurred to me today: Has Larson written or published anything *other* than The Kindest?
It seems like if her career were more robust she'd have been more willing to put that story away and work on other projects - and would have included other projects in her NEA grant app.
My question too. I am a writer with a day job and this story has made me wonder if I could get an NEA grant. I have several stories published in reputable journals and a first draft of a novel currently workshopping. Maybe I’ve short changed myself? Though I do wonder if Larson benefits from having someone like Ng likely writing letters of recommendation? I have some wonderful editors and writing instructors from indie presses but no one with that name recognition to vouch for me.
I’m curious about both of their finances. I have to work, and grad school loans mean I need a decent paying job to cover loans and a middle class lifestyle. I’m guessing they are both supported by spouses? Nothing wrong with that but as a writer it’s a detail I’d be interested in knowing more about. I think writers at this level (no book deals, perhaps some success with publishing short fiction and essays) generally need to be thick skinned and realistic. Perhaps if you have a spouse bankrolling your writing career, it makes you more fragile? I just can’t imagine getting involved with anything like this with my writing circle. People are professional and supportive. I’ve never known anyone well enough to develop the kinds of feelings at play here. They are “work friends.” There’s a degree of detachment.
Anonymous wrote:Anonymous wrote:Great deep dive into timeline of events!
https://rottenindenmark.org/2021/10/10/identifying-the-bad-art-friend-is-easy/
I like this take and largely agree with him that Sonja starts out as the villain but that Dorland eventually joins her in the mud and you can’t ignore that.
I have a lot of empathy for Dorland because I experienced something somewhat similar a while back, and I cannot describe here how strong that feeling of wanting redemption/revenge is. In my case, the women who hurt me were unquestionably friends, as well as professional colleagues. What they did felt like a deep rejection of me both personally and professionally and it messed me up a lot— I still talk about this situation in therapy years later. Reading Bad Art Friend and threads like this are both triggering and cathartic. I have accepted that this will probably be something that marks me in one way or another for the rest of my life.
So I understand why Dorland went scorched earth in trying to get back at Sonja. I know that feeling of righteous rage so well I can taste it. But the difference between Dawn and I is that I ultimately didn’t go down that road. I had some private fits about it, I demanded loyalty from my closest friends (something I am now both embarrassed by and also still feel was necessary?), but that’s where it ended. I cut those women out of my life, distanced myself from anyone who might support them, and did my best to move on. It sucked! I still fantasize about them getting their comeuppance, and still sometimes check in on them online to see if karma has done any work on my behalf.
But I didn’t sue and I didn’t go public and watching what Dorland is going through now, I am glad I had the sense to move on.
Anonymous wrote:Anonymous wrote:Question that occurred to me today: Has Larson written or published anything *other* than The Kindest?
It seems like if her career were more robust she'd have been more willing to put that story away and work on other projects - and would have included other projects in her NEA grant app.
My question too. I am a writer with a day job and this story has made me wonder if I could get an NEA grant. I have several stories published in reputable journals and a first draft of a novel currently workshopping. Maybe I’ve short changed myself? Though I do wonder if Larson benefits from having someone like Ng likely writing letters of recommendation? I have some wonderful editors and writing instructors from indie presses but no one with that name recognition to vouch for me.
I’m curious about both of their finances. I have to work, and grad school loans mean I need a decent paying job to cover loans and a middle class lifestyle. I’m guessing they are both supported by spouses? Nothing wrong with that but as a writer it’s a detail I’d be interested in knowing more about. I think writers at this level (no book deals, perhaps some success with publishing short fiction and essays) generally need to be thick skinned and realistic. Perhaps if you have a spouse bankrolling your writing career, it makes you more fragile? I just can’t imagine getting involved with anything like this with my writing circle. People are professional and supportive. I’ve never known anyone well enough to develop the kinds of feelings at play here. They are “work friends.” There’s a degree of detachment.
Anonymous wrote:Question that occurred to me today: Has Larson written or published anything *other* than The Kindest?
It seems like if her career were more robust she'd have been more willing to put that story away and work on other projects - and would have included other projects in her NEA grant app.
Anonymous wrote:Anonymous wrote:Anonymous wrote:I don’t think Dorland was in the wrong to sue, and I also think the weight of public replies are vindicating her.
Wait I fell into it: Dorland didn’t sue, Larson did and Dorland asking for a cease and desist seems incredibly appropriate.
I think Dorland retained a lawyer and tried to resolve without litigation and Larson beat her to it with the slander lawsuit. Dorland sued when she realized she wasn’t getting anywhere by asking Larson to stop publishing or at least giving her credit.