Anonymous wrote:

Anonymous wrote:

Anonymous wrote:“From the first seconds of ‘Melania,’ we know we’re watching a commercial: the camera swoops and glides over the luxury waterfront estate Mar-a-Lago, and then, back on the ground, a snakeskin stiletto emerges from an S.U.V. Visually, it’s slick but exceedingly mid,” Lauren Collins writes. “The director Brett Ratner cozied up to the Trumps after spending years in movie-biz exile amid multiple allegations of sexual harassment and assault. (He has denied wrongdoing.) For his comeback, he has summoned all the artistic ambition of a local Realtor who just got a drone.”

“Throughout the 104-minute run time, the shoe motif continues: Melania watching television in heels alone; Melania meeting a former hostage in heels alone; Melania sitting on a couch alone and, at the end of a long day, removing her heels,” Collins continues. “After a while, ‘Melania’ starts to feel like an OnlyFans account crossed with that meme of Kim Jong Un visiting factories. You can’t exactly blame Ratner for relying on a veneer of glamour. How do you capture a subject whose feet are more expressive than her personality?” Read her full review of the self-defeating documentary: https://newyorkermag.visitlink.me/Al6flR

Anonymous wrote:“From the first seconds of ‘Melania,’ we know we’re watching a commercial: the camera swoops and glides over the luxury waterfront estate Mar-a-Lago, and then, back on the ground, a snakeskin stiletto emerges from an S.U.V. Visually, it’s slick but exceedingly mid,” Lauren Collins writes. “The director Brett Ratner cozied up to the Trumps after spending years in movie-biz exile amid multiple allegations of sexual harassment and assault. (He has denied wrongdoing.) For his comeback, he has summoned all the artistic ambition of a local Realtor who just got a drone.”

“Throughout the 104-minute run time, the shoe motif continues: Melania watching television in heels alone; Melania meeting a former hostage in heels alone; Melania sitting on a couch alone and, at the end of a long day, removing her heels,” Collins continues. “After a while, ‘Melania’ starts to feel like an OnlyFans account crossed with that meme of Kim Jong Un visiting factories. You can’t exactly blame Ratner for relying on a veneer of glamour. How do you capture a subject whose feet are more expressive than her personality?” Read her full review of the self-defeating documentary: https://newyorkermag.visitlink.me/Al6flR

Anonymous wrote:

https://www.nytimes.com/2026/01/31/opinion/melania-trump-movie.html?unlocked_article_code=1.I1A.4-Yw.ASp1Z-tnJ_u7&smid=tw-share
Melania is where she wants to be, in the bosom of a corrupt family that is prostituting the People’s House. Following up her shady ventures into NFTs and a meme coin, the first lady got a windfall from Jeff Bezos, who certainly wanted to curry favor with her husband. Bezos’ Amazon MGM studio made her movie, providing a whopping $40 million for the film and another $35 million for marketing. The Wall Street Journal reported that Melania’s cut of the $40 million was at least $28 million.

This is particularly gross given that Amazon is engaged in mass layoffs and Bezos seems intent on starving his Washington Post of money and talent. The split screen of Bezos and his spendthrift wife, Lauren Sánchez, frolicking everywhere — including Paris fashion week — while the tech mogul defiles the crown jewel nurtured by Ben Bradlee and Kay Graham, is sickening.

Speaking of sickening, in a 2002 email from the newly released Epstein files that The Times said is from a “Melania” and appears to be written to Ghislaine Maxwell, “Melania” praises a profile of Jeffrey Epstein in New York magazine and says of Ghislaine, “You look great on the picture.” Ghislaine calls “Melania” “Sweet pea” and “Melania” signs her email “Love.”