Anonymous wrote:It brings up an interesting conversation about the privileged getting even wealthier off the backs of those less privileged. The woman who may have inspired Malia's work struggles to make a living in the industry. Malia could be unemployed for the rest of her life and will still be wealthy. I think the right thing to do would be to give this woman some credit even if everything was legal.
Anonymous wrote:Anonymous wrote:Anonymous wrote:I've watched the clips and the filmmaker is being ridiculous. Both films use a couple very common filmmaking tropes (kids playing patty cake), that's about it.
Agreed. The short film director made an adaptation of a scene from The Color Purple that is often referenced by black women and that particular scene is a big, big part of black pop culture. I’m sure she wouldn’t deny this.
Malia’s commercial is more akin to the hand clapping game clip from Elmo’s World. It’s totally different from the short film.
https://m.youtube.com/watch?v=QVv7F9zGKmQ
Remember she is the Director not the writer. We are talking about what a director is in charge of. That Elmo clip looks nothing like the scene she directed.
Anonymous wrote:Anonymous wrote:I've watched the clips and the filmmaker is being ridiculous. Both films use a couple very common filmmaking tropes (kids playing patty cake), that's about it.
Agreed. The short film director made an adaptation of a scene from The Color Purple that is often referenced by black women and that particular scene is a big, big part of black pop culture. I’m sure she wouldn’t deny this.
Malia’s commercial is more akin to the hand clapping game clip from Elmo’s World. It’s totally different from the short film.
https://m.youtube.com/watch?v=QVv7F9zGKmQ
Anonymous wrote:I've watched the clips and the filmmaker is being ridiculous. Both films use a couple very common filmmaking tropes (kids playing patty cake), that's about it.
Anonymous wrote:Anonymous wrote:Anonymous wrote:I've watched the clips and the filmmaker is being ridiculous. Both films use a couple very common filmmaking tropes (kids playing patty cake), that's about it.
Idk. I saw clips laid out on top of each other and there is definitely a striking similarity, and I’m usually very skeptical of claims like this. It would not make me comfortable if I was the filmmaker.
Caveat is that I saw the clips side by side from a person who assembled them on Twitter and you can’t believe anything there any more. So, idk.
They're both very small portions of the overall film as well and the coloring is very different.
It's also important to understand that basic concepts like kids playing a game and washed out color gradients are also not considered protectable ideas, for very good reason.
Anonymous wrote:Anonymous wrote:I watched both. This is silly - Malia didn't steal from this woman's film. Black girls playing patty cake sitting on the steps is in several films.
Are we talking about this commercial? Because I see kids playing hand games standing on a playground, on a bus, and on a pew.
I would say that the scene in Grace (which is a beautiful film by the way) is much more derivative of the scene in Color Purple than the commercial is derivative of the scene in Grace.
Anonymous wrote:Anonymous wrote:Anonymous wrote:I watched both. This is silly - Malia didn't steal from this woman's film. Black girls playing patty cake sitting on the steps is in several films.
Are we talking about this commercial? Because I see kids playing hand games standing on a playground, on a bus, and on a pew.
I would say that the scene in Grace (which is a beautiful film by the way) is much more derivative of the scene in Color Purple than the commercial is derivative of the scene in Grace.
Can you link the scene in Color Purple you are referring to? One article linked to one and Grace and the Nike ad were way more similar. I agree that Grace is a beautiful film.