Anonymous wrote:Anonymous wrote:I'd also consider Cursed Child. Yes, the plot can be a bit ridiculous, but it's the definition of spectacle. Great effects.
You've just got to make sure you can make it to both shows.
Anonymous wrote:Beetlejuice is reopening in April.
Anonymous wrote:Six is a much hotter ticket than the others mentioned so far. It's a blast, but it's not got much (any) plot - more like a concert than a play.
Dear Evan Hansen is an excellent choice but you should know the plot revolves around the suicide of a teenager. But lots to discuss with your child after, and the music (Pasek & Paul) tends to be popular with Gen Z.
Come From Away is a great show, but the music itself leaves a lot to be desired. Lots of exposition in those songs, and there are only a couple melodies that stay with you. That staging and story, however, are terrific.
Hadestown was the hot ticket right before Broadway shut down. It is very good, though not my favorite. I found it very ...busy. A lot going on at every minute, and the director wanted to explore every theme. That said, I absolutely love the music from it. So it's the opposite problem for me of Come From Away: great music, "eh" show.
Anonymous wrote:Chicago
Anonymous wrote:Music Man
Anonymous wrote:Six is supposed to be great.
Anonymous wrote:I'd also consider Cursed Child. Yes, the plot can be a bit ridiculous, but it's the definition of spectacle. Great effects.
Anonymous wrote:Hadestown
Six
Both are wonderful musicals.
Anonymous wrote:Anonymous wrote:Come From Away
I love Come From Away but really really would not recommend it for a teen.