Anonymous wrote:Anonymous wrote:Anonymous wrote:I liked it but I wish there had been less about the sun (which yes Klara, as a solar powered machine, has gone to see as a type of God) and more about the world they lived in. More about the genetic engineering, more about the sister, more about the father and the substitutions, and especially more about the “portraitist” and his crazy scheme and if/how it worked for other clients.
The hey art about the sun was so long and boring. The rest was incredibly interesting but he hardly explored it.
I really agree. I listened to the audiobook and I think it was a mix of totally brilliant and totally unfulfilling. I keep struggling to put into words exactly what I found unfulfilling.
SPOILERS:::::
++++
Just for some big one: Why did the father go along with the plan to ruin that machine? Was she going to fade out whether they took out some liquid or not?
I think he knew it was a crazy idea to kill a cooting machine with the precious liquid from Klara's body sounds almost like a sacrifice to keep Josie alive. So in a way, he, as a grieving father, became a part of Klara's religion. He needed any kind of hope.
Anonymous wrote:Anonymous wrote:I liked it but I wish there had been less about the sun (which yes Klara, as a solar powered machine, has gone to see as a type of God) and more about the world they lived in. More about the genetic engineering, more about the sister, more about the father and the substitutions, and especially more about the “portraitist” and his crazy scheme and if/how it worked for other clients.
The hey art about the sun was so long and boring. The rest was incredibly interesting but he hardly explored it.
I really agree. I listened to the audiobook and I think it was a mix of totally brilliant and totally unfulfilling. I keep struggling to put into words exactly what I found unfulfilling.
SPOILERS:::::
++++
Just for some big one: Why did the father go along with the plan to ruin that machine? Was she going to fade out whether they took out some liquid or not?
Anonymous wrote:I liked it but I wish there had been less about the sun (which yes Klara, as a solar powered machine, has gone to see as a type of God) and more about the world they lived in. More about the genetic engineering, more about the sister, more about the father and the substitutions, and especially more about the “portraitist” and his crazy scheme and if/how it worked for other clients.
The hey art about the sun was so long and boring. The rest was incredibly interesting but he hardly explored it.
Anonymous wrote:I thought the boxes were pixelization, or something: that she sees but not the way people see. I was curious what you thought about the end. Who visits her in the junkyard? Is it really the Manager? The limp makes it seem like it’s Josie. Or is it nobody, and Klara just thinks it’s someone she loves because she’s loving (and low on her precious fluid)?
Anonymous wrote:Anonymous wrote:I liked the book, and I thought it circled back to the themes that made Never Let Me Go so poignant (but I still thought Never Let Me Go was better) Are there ethical implications when we use AI as a means to an end? Who are the true winners and losers in a hypercompetitive capitalist economy. I wish he explored the genetic engineering process more fully because I think it was an interesting plot point that just came in at the end.
I would watch a movie adaptation of it as I think it could be done very well with the right production and actors.
This really, really makes me want to read it, but I tried to read "The Unconsoled" by Ishiguro many years ago after reading "When We Were Orphans" and I am wary. The Unconsoled is a scar. But Never Let Me Go is a complete masterpiece.
Anonymous wrote:Anonymous wrote:Anonymous wrote:Anonymous wrote:I liked the book, and I thought it circled back to the themes that made Never Let Me Go so poignant (but I still thought Never Let Me Go was better) Are there ethical implications when we use AI as a means to an end? Who are the true winners and losers in a hypercompetitive capitalist economy. I wish he explored the genetic engineering process more fully because I think it was an interesting plot point that just came in at the end.
I would watch a movie adaptation of it as I think it could be done very well with the right production and actors.
This really, really makes me want to read it, but I tried to read "The Unconsoled" by Ishiguro many years ago after reading "When We Were Orphans" and I am wary. The Unconsoled is a scar. But Never Let Me Go is a complete masterpiece.
I generally like Ishiguro but similarly also could not get through "The Unconsoled". "The Remains of the Day" is another book with interesting themes that is worth checking out if you haven't already. I even prefer it over "Never Let me Go".
Recently I heard an interview with Ishiguro on a podcast and was very impressed. Usually interviews with creatives (especially novelists) are self-indulgent and tiresome, but I found him to be extraordinarily thoughtful, humble, and intelligent.
The Unconsoled is the ONLY book by Ishiguro that I've managed to finish ever. Though I did personally feel deeply unconsoled when I got to the end of it...The Buried Giant I got about 1/2 way through, When we were Orphans I abandoned earlier and I never even started The Remains of the Day.
I am enjoying Klara and the Sun. I do think he is a writing genius. It is just about personal taste / attention spans.
Anonymous wrote:Anonymous wrote:Anonymous wrote:I liked the book, and I thought it circled back to the themes that made Never Let Me Go so poignant (but I still thought Never Let Me Go was better) Are there ethical implications when we use AI as a means to an end? Who are the true winners and losers in a hypercompetitive capitalist economy. I wish he explored the genetic engineering process more fully because I think it was an interesting plot point that just came in at the end.
I would watch a movie adaptation of it as I think it could be done very well with the right production and actors.
This really, really makes me want to read it, but I tried to read "The Unconsoled" by Ishiguro many years ago after reading "When We Were Orphans" and I am wary. The Unconsoled is a scar. But Never Let Me Go is a complete masterpiece.
I generally like Ishiguro but similarly also could not get through "The Unconsoled". "The Remains of the Day" is another book with interesting themes that is worth checking out if you haven't already. I even prefer it over "Never Let me Go".
Recently I heard an interview with Ishiguro on a podcast and was very impressed. Usually interviews with creatives (especially novelists) are self-indulgent and tiresome, but I found him to be extraordinarily thoughtful, humble, and intelligent.
Anonymous wrote:Anonymous wrote:I liked the book, and I thought it circled back to the themes that made Never Let Me Go so poignant (but I still thought Never Let Me Go was better) Are there ethical implications when we use AI as a means to an end? Who are the true winners and losers in a hypercompetitive capitalist economy. I wish he explored the genetic engineering process more fully because I think it was an interesting plot point that just came in at the end.
I would watch a movie adaptation of it as I think it could be done very well with the right production and actors.
This really, really makes me want to read it, but I tried to read "The Unconsoled" by Ishiguro many years ago after reading "When We Were Orphans" and I am wary. The Unconsoled is a scar. But Never Let Me Go is a complete masterpiece.
Anonymous wrote:I liked the book, and I thought it circled back to the themes that made Never Let Me Go so poignant (but I still thought Never Let Me Go was better) Are there ethical implications when we use AI as a means to an end? Who are the true winners and losers in a hypercompetitive capitalist economy. I wish he explored the genetic engineering process more fully because I think it was an interesting plot point that just came in at the end.
I would watch a movie adaptation of it as I think it could be done very well with the right production and actors.