Reply to S/O Can we talk about how bad Lin-Manuel Miranda's music is?

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Reply to "S/O Can we talk about how bad Lin-Manuel Miranda's music is?"

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[quote=Anonymous][quote=Anonymous][quote=Anonymous][quote=Anonymous]No rhythm? How do you define rhythm? [/quote]

This is why I think OP is narcissistic, its like objectively silly to say he has no rhythms or melodies. We Don't Talk About Bruno, love it or hate it, is an INCREDIBLY complex song rhymically and melodically, from a technical musical standpoint. Like it, don't like it, whatever, that's personal. But that song takes like 5 distinct narrative verses and then layers them for a united harmonious crescendo (and that is like, not a metaphorical crescendo to be dramatic but what crescendo actually means when you are composing a song). [/quote]

Interesting take.I think you’re right, We don’t talk about Bruno is brilliant from a technical point of view - multiple voices entering and exiting, layering etc....crescendoing.... but it doesn’t move me emotionally at all. Not the way Joni Mitchell’s Both sides now or River, or even Frozen’s Let it go. 
It’s the same with rap - it’s cool but I don’t feel anything.

So I hear you OP! I also didn’t love Hamilton. Saw it once and that was enough. But I have seen Wicked 5 times now in London, NYC, Toronto. And I would see it again. [/quote]

It’s a type of cannon with rounds in the same key. 
Also an example of information overload. No child get even 25% of the info and facts and background told in that fastly spoken song.

Anyhow, Luisa’s song is THE best.  Any eldest child, first Gen immigrant or Doing It All Mother can relate, big time. [/quote]

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