Toggle navigation
Toggle navigation
Home
DCUM Forums
Nanny Forums
Events
About DCUM
Advertising
Search
Recent Topics
Hottest Topics
FAQs and Guidelines
Privacy Policy
Your current identity is: Anonymous
Login
Preview
Subject:
Forum Index
»
Classes, Workshops, Camps, and Playgroups
Reply to "Violin teacher recommendation in the Rockville/North Potomac/Gaithersburg area"
Subject:
Emoticons
More smilies
Text Color:
Default
Dark Red
Red
Orange
Brown
Yellow
Green
Olive
Cyan
Blue
Dark Blue
Violet
White
Black
Font:
Very Small
Small
Normal
Big
Giant
Close Marks
[quote=Anonymous][quote=Anonymous]The "Russian style" is [i]absolutely[/i] a thing. Arguably even two things -- the Imperial Russian style and the Soviet style -- although both of those have similar roots. There have historically been three major traditions of violin-playing -- the German style, the Franco-Belgian style, and the Russian style. The German style is largely dead (you generally only see it in older Suzuki teachers who follow Suzuki's original teachings, which were physically modeled on the German tradition that Shinichi Suzuki himself was trained in). The Franco-Belgian and Russian styles are fused into the Galamian style, which is effectively the American style and largely globalized now. Each style represents a physical approach to the violin, and a certain pedagogical tradition (influencing repertoire and etude choices, for instance). Many modern players mix and match, but a lot of professional players still have a primary stylistic influence. Many players with prestigious teacher lineages are relatively pure exhibits of a particular style and tradition. Locally, despite Russian-trained teachers being quite rare, their students dominate much of the competition scene. (Lya Stern comes from the Russian tradition, tracing a teacher lineage back directly to Leopold Auer. I believe Olga Khroulevitch does also. If I recall correctly, Emil Chudnovsky traces his lineage back to Stolyarsky -- he's more of a Soviet-influenced player, especially an Oistrakh influence through his mother.) In terms of famous modern players, Maxim Vengerov represents the Soviet Russian style. Many of the pupils of Roland and Almita Vamos, including Rachel Barton Pine, display the Imperial Russian style. Hilary Hahn is the most prominent modern player displaying the Franco-Belgian style. You'll find plenty of teachers who were taught in style X and disdain the other styles. Given the prevalence of the Galamian style in the United States, you'll find plenty of pros, like the previous poster, who disdain the Russian style. But I'm just gonna say, those students in this area who are learning from Russian-tradition teachers are pretty dominant in competitions, chair auditions, etc. [/quote] Thank you. I agree.[/quote]
Options
Disable HTML in this message
Disable BB Code in this message
Disable smilies in this message
Review message
Search
Recent Topics
Hottest Topics